It tells a story that is not hallucinatory, non-amnestic, and almost hallucinatory. It rearranges the events of the week so that miracles happen and fears exist. Layer by layer stories reveal the final facts like bamboo shoots, rearranging and combining the protagonist's thoughts and the audience's thoughts.
Sunday to Saturday, a week, turned out to be the distance between life and death, the difference between love and hate. The heroine begins to find out that her husband's death was a nightmare; later wakes up, wakes up again, and finds that it is a dream within a dream; sleeps again, wakes up again, it seems that she has become a lunatic, she has amnesia, she has hallucinations; She goes to sleep and wakes up to find that she has the power of prophecy, she predicts the death of the person she loves most.
The psychiatrist, the priest, the woman who almost became her husband's affair, the staff of the funeral home, the traffic policeman, the injured eldest daughter, they all appeared at the beginning and end of the incident, confusing the heroine's thoughts.
In the end, she sorted out the facts, but it was a tragedy. She tried hard, but in the end she couldn't prevent her husband's death. Just as if only, the man prevented the death of the woman but couldn't prevent his own death, just as the god of death came, and the god of death designed a trap for you, no one should try to escape, the ending of this kind of movie is tragic. Destiny is inescapable for human beings and can only be left to fate.
But the film still left a not perfect but happy ending after her husband's death - the wife understood what the priest said "love and hope", and she became pregnant with her husband's third child. Lucky in misfortune.
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