Edit|Xiao Ye
Sally Field (born in 1946) who plays Dorace is a veteran (you can tell just by looking at her age), and she has appeared in many hit films, such as "Forrest Gump", "Skinny Daddy", "Sybil" and so on (I actually watched all of them).
She has won three Oscars, New York Film Critics and Cannes with the film Norma Rae (1979). In 1984, she won the Oscar for Best Actress again with "Into the Field".
Let's start telling the story as follows
When I am old, should love be?
This film does not conjure up the dark side of emotions, nor does it have the kind of loveless madness like "Lolita", it is presented to the audience in a light and bright style - old age. How Dolace pursued a young man.
This film does not conjure up the dark side of emotions, nor does it have the kind of loveless madness like "Lolita", it is presented to the audience in a light and bright style - old age. How Dolace pursued a young man.
However, it may make you worry for a moment - if you are like Dolace, the look and feel of love still maintains the purity of youth, and whether the withered body can go hand in hand with the spirit and feel the red flame of love together. Dorace has been honest with a company for decades, and her colleagues and colleagues around her have mocked her "obscurity".
Suddenly one day, Dolace was in a crowded elevator, and came across a tall and handsome young man who would hold her mirror frame. Excited, she secretly stole someone's pen to see things and think about people. If this young man hadn't become a new colleague she got along with day and night, perhaps her glimpse of him was simply kept in memory. After the death of her mother who had been sick for many years, Dorace only had her old friends and an occasional younger brother. The young man has a girlfriend who has been on and off countless times, and a favorite trend band.
The young man got along well in the company, and it didn't take long for him to mingle with his colleagues. And, most importantly, he doesn't shy away from Dolace. Even when colleagues tell him that Dolac is weird. The lad still bared her white teeth at her, and still befriended her for the same musical taste (even though Dolese crammed it out of it).
Even though Dolace's budding heart is not supported by her old friend, she still has her old friend's granddaughter as a small military teacher. Dolac began to peek at the boy's social account from time to time. She tried hard to discover the boy's life footprint through the social account, and she was so affectionate that she left a lot of affectionate confession on the other party's social interface after getting drunk. The young man invited Dolace to the party, and Dolace was ecstatic. She crafted herself carefully, abandoned her old friends, abandoned traditional shows, and went to the young man's house for a feast with affection.
Dolace avoided everyone and lay in the boy's bedroom waiting for him, she began to fantasize about all kinds of sweetness, and she thought that the kiss with her head down her fantasies would come true. The young man backed away, his face serious, explaining the sudden misunderstanding that he just wanted to introduce Dorace to his elder uncle. The uncle was also there, about the same age as her, and with the same withered skin as her.
Dolace's sweet expectations met Waterloo, and she finally decided to face up and correct her "heavy fetish" habit. The therapist helped her make decisions together, and her brother's family also came to help. Dolace's room finally became bright and spacious.
Her inner sanctuary also recovered, and she began to pack the items on her desk, preparing to say goodbye to the place where she had worked for many years. Colleagues walked up to her and came to say goodbye to her - Dolace's meow (cat) calendar is so interesting, colleague A wants to get this as a "farewell gift"; the lamp she got from scavenging is also beautiful, so does colleague B Couldn't help begging her.
Dorace glanced at the young man, who remained motionless in his office and did not look at her. There was one last fantasy in her head, the fantasy of the young man rushing out of the office, calling her anxiously and affectionately, and keeping her. Dolace glanced at the young man again, who was still standing at her desk indifferently in reality. Dolace smiled blankly and stepped into the elevator smartly. "Dolace, wait," a boy called her.
The open ending of the movie allows the audience to associate according to their own minds, but this is the first time I have lost the ability to associate sequels. Because neither the happy nor the sad ending is the ending that I am sure of. Instead, it's this open-ended, ambiguous ending that is my favorite. It's also the only movie I don't hate that ends with an open ending.
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