Speaking of suicide, one cannot help but think of the headline of Camus’ "Sisyphus Myth": "There is only one serious philosophical problem-suicide." Judging whether life has value is the most noble philosophical thinking, but more often Our life is not based on our own independent thinking, but more on the influence of our surroundings and the role of the environment. The death of the virgin is, in a sense, a confusion and torture of youth. When you are still immersed in simple happiness and warmth, you have to gradually adapt to the complicated society, like a fetus that has escaped from amniotic fluid. When you can't judge the value of existence rationally, you deny the meaning of existence. Then who will be blamed for this regret and sin? The death of the youngest daughter opened the prelude to the tragedy. The tragic ending of the Lisbon sisters was not only caused by their own confusion, but also by their parents' stubborn education methods. As Orientals, such a way of discipline has long been accustomed or regarded as a dogma, but it is indeed a different kind in the mind-building education system advocated by the West. As a result, our children learn to be worldly and tolerate more earlier, grow up with common personality traits and apply them to the next generation. I read "The Education of Love" a long time ago, and now I understand that many behaviors are only established under specific cultural characteristics. The Eastern style of education is inherently inhumane, and different from the Spartan-style hard training, so we inevitably have deviations in the development of our minds, with too many utilitarian marks. So it may be difficult to understand the tragedy of the Lisbon family-we have long understood the significance of living with humiliation. But more of it is the commonality of youth, the sprout of love, the charm of the opposite sex, shyness and impulsivity... We all grow up like this. I have also had excitement nights when I want to rush and call, I have had the desire to voyeur secretly and the shame of concealing sexual sprouts, and have my own beautiful times, some have passed away, and some are experiencing. Seeing the scene of the turn of day and night in Lisbon’s house and the circulation of the four seasons, it feels as if life is in harmony: how many years have passed in life, how many people have been known and forgotten, and where are those who have met once? I also think about the value of life in the same way. Although I still don't understand the meaning of existence, I still welcome the continuation of existence. This film is Sofia Coppola’s debut, "Coppola" this golden sign is both motivation and pressure. Some people can’t stand the pressure and leave eagerly (Who remembers Nicholas Coppola?), and Sofia can be in his father and brother Under her wings, she has such a strong personal style, which can be regarded as the unique charm of this little Nizi. The old Coppola, who is also a producer, praised her daughter. His mother also cared for her daughter from the perspective of the family. It seems that we can also think of many growth stories from behind the scenes. After all, this is Sofia's personal experience. Deep works. Every child has his own growth experience, and every girl has had that unforgettable thirteen-year-old. The difference is how these memories will continue to exist. As a female director, and at a young age when she first directed the tube, this debut novel also shows a touch of immaturity and a kind of innovation that runs counter to tradition. Many lenses are full of imagination, but the use of light depth of field is very mature, the composition of the picture is harmonious and stable, and it lives up to the reputation of the famous movie family. The actors in the film also don't have much experience, and it can be described as a spiritual fit with the youthful spirit of the whole film. Kirsten Dunst was also full of youthful vigor at the time, and his image was very lovely. Although the theme is more depressing, I think what the director wants to express more is the preciousness of youth, the sadness and comfort of growth. From this point of view, I think the boys who are bystanders are the protagonists of this film. They grow up watching all kinds of things in the world. From these girls, they appreciate the sprouting desires and gain the experience of growth. Unconsciously From a boy to a man. When they picked up their wine glasses at the first social dance party and listened to people around them talking about their future, they would unconsciously think of the former Lisbon sisters, which belonged to their golden age. Growth has left the old things behind, so why bother to be sad. Although the theme is more depressing, I think what the director wants to express more is the preciousness of youth, the sadness and comfort of growth. From this point of view, I think the boys who are bystanders are the protagonists of this film. They grow up watching all kinds of things in the world. From these girls, they appreciate the sprouting desires and gain the experience of growth. Unconsciously From a boy to a man. When they picked up their wine glasses at the first social dance party and listened to people around them talking about their future, they would unconsciously think of the former Lisbon sisters, which belonged to their golden age. Growth has left the old things behind, so why bother to be sad. Although the theme is more depressing, I think what the director wants to express more is the preciousness of youth, the sadness and comfort of growth. From this point of view, I think the boys who are bystanders are the protagonists of this film. They grow up watching all kinds of things in the world. From these girls, they appreciate the sprouting desires and gain the experience of growth. Unconsciously From a boy to a man. When they picked up their wine glasses at the first social dance party and listened to people around them talking about their future, they would unconsciously think of the former Lisbon sisters, which belonged to their golden age. Growth has left the old things behind, so why bother to be sad.
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