This movie gave me a fairly familiar feeling, and many of my friends who want to draw have this feeling.
To put it simply, people who paint often have such times. If I want to draw a fan, for example, I have always wanted to draw an Onmyoji fan. What I think about is how good it will be when I draw it, but when I actually draw it, I will find out why the character is so complicated.
For another example, if I wanted to draw a scene of a superhero fighting, I thought it must be cool. But the actual operation found that too many perspectives need to be modified, and too many structures are not specific.
I have vaguely taken other aspects, and quickly highlight the aspects I want, and I will find that because I have taken many parts, the overall effect is actually not as good as what I want.
Finally, there is the common one, painting a thing, grinding and grinding it in the West that I like, but neglecting the part that I don't value until it's almost gone. For example, how many painters have painted girls with exquisite and beautiful bodies, but with extremely vaguely generalized two feet.
Others will not see your work in the same way as you.
This movie is very obvious, in order to express the idea that the robot's memory is not enough, and the whole world is derived.
And because the existence of this world is to serve this bridge, it is obviously not enough.
But as the audience, we don't know the inside story. We are going to see a robot world and come to see how empty it is. This is an inescapable injury.
Second, even knowing the filmmaker's perspective, the film still has problems.
Your theme is the interaction between the robot and the owner, but the owner is designed as a bear child, so why not spend some time talking about the robot's perspective? ?
The owner is not afraid of a bear child, you put your perspective on the robot, and highlight a "although my owner is a bear, but she is my everything". Sensational, yet plausible. Because at that time, rely on this stupid energy to influence the master.
You design the protagonist as a bear child, and you put your perspective on her. There is no change in the whole process, just watching her go wild.
On the contrary, 7723, from being ignorant, to lack of memory, to realizing that violence is not good, to taking practical actions to oppose violence, and then to the last big pit to regain power, you must give up memory, so many dramas, in addition to memory damage, After a generous description, will you describe the other sideways?
Co-author "Everything is for the idea that the robot is out of memory, so even the other behavior of the robot doesn't matter" Is that what he said?
Put it well, "the robot goes from being ignorant to remembering the owner", "from killing innocent people to realizing that killing is not good", and so many wonderful character transitions will not be filmed, let the audience come back after watching the movie and ask "robots" Why do you know it's bad to kill people?" "Why is the heroine so bearable?" "Why did they destroy the country's property all day long?" ?
You didn't find these problems that need to be fixed, which is a good storyline in itself.
After the two people started killing people and setting fires, the police came to the door. Before 7723 came out of the mountain, it had been bombed in various ways, so let's shoot a few chase scenes. Talk about how 7723 protects the heroine, and how she realized in the process that hurting others to protect the host is not a good thing.
With the specific role of 7723 protecting the master, wouldn't the relationship between the two be much more solid than "just killing people and setting fire together"? Then take advantage of the situation to give a scene of 7723's thinking about good and evil, doesn't it make sense to delete the weapons later? Then the various provocative lines are not a lot less embarrassing? Then why doesn't it make sense that no one has come to the door for the time being?
If there is a financial problem, when 7723 went to return the backpack at the beginning, the meaningless leveling drama was moved back.
It would be more normal to let that part be chasing and hiding. Whose new robot is leveling the overhead all the way, can it not cause an emergency broadcast on the news network? You designed that section to be just chasing and hiding, and because of the simple negligence of the fledgling, you were shot to the hard drive. In order to save money, linking to my suggestion above, I also filled in the pit of "Why is a high-level company's cutting-edge technology products madly bombing elevated nuclear passers-by, and since then it has publicly played the underworld force for many times, and no one has jurisdiction over it".
In general, this is a classic problem in the art world - choosing a bad angle.
A good work is also very well described in the side profile, and a bad work is also very cumbersome to draw pores.
Inexperienced in violent comics is a flaw.
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