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Dandre 2022-03-21 09:02:37

This is a highly metaphorical and abstract film. The director's artistic approach is itself his attitude and point of view - the film is a spiritual philosophy that leads the audience, not a commercial product that pleases the audience. Movies should care, shape and lead the audience with a spirit and aesthetic that is higher than that of the audience, rather than packaging, requesting and producing themselves as a commodity in order to cater to the audience.

In terms of content, the ingeniousness of this film is that it uses the "actor" as an art carrier as an entry point, and uses the artistic predicament and life predicament faced by the actor to reflect the predicament encountered by film art and the relationship between man and society. relationship between. So it's not unusual for the film to be lauded among professionals because there's a resonance. But for the average audience, this is definitely not an easy choice.

I am afraid that only the French dare to make movies like this. France has always been the beacon of world cinema.

However, this movie, like many French movies, is occasionally used to pretend, and it is always kept away, and it is always worthy of praise. ???

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Extended Reading
  • Destin 2022-03-22 09:02:20

    7.5 There are a lot of likes and dislikes, but overall it's a work of madness. The best deconstruction of the director's professional identity that I have seen so far is "Eight and a Half" and "New York Synonyms", the best deconstruction of the screenwriter is "Barton Funk", and the best deconstructed actor should be this one.

  • Federico 2022-03-28 09:01:07

    It can be interpreted indefinitely and the label of "unknown and severe" is put on it, and I think it is too hard. Denis Lawan's acting skills are great! In the first half, the appetite was still full of interest. After Kylie Minogue came out, I didn't know what the director wanted to do... The accordion section is very interesting.

Holy Motors quotes

  • L'Homme à la tache de vin: What makes you carry on, Oscar?

    Mr. Oscar: What made me start, the beauty of the act.

    L'Homme à la tache de vin: Beauty? They say it's in the eye, the eye of the beholder.

    Mr. Oscar: And if there's no more beholder?

  • Mr. Oscar: I am alone, and they are everybody.