This is a highly metaphorical and abstract film. The director's artistic approach is itself his attitude and point of view - the film is a spiritual philosophy that leads the audience, not a commercial product that pleases the audience. Movies should care, shape and lead the audience with a spirit and aesthetic that is higher than that of the audience, rather than packaging, requesting and producing themselves as a commodity in order to cater to the audience.
In terms of content, the ingeniousness of this film is that it uses the "actor" as an art carrier as an entry point, and uses the artistic predicament and life predicament faced by the actor to reflect the predicament encountered by film art and the relationship between man and society. relationship between. So it's not unusual for the film to be lauded among professionals because there's a resonance. But for the average audience, this is definitely not an easy choice.
I am afraid that only the French dare to make movies like this. France has always been the beacon of world cinema.
However, this movie, like many French movies, is occasionally used to pretend, and it is always kept away, and it is always worthy of praise. ???
View more about Holy Motors reviews