The story of a brainless girl falling in love with a scumbag.

Leopoldo 2022-03-21 09:03:04

The story of a brainless girl falling in love with a scumbag. The story of a brainless girl falling in love with a scumbag. The story of a brainless girl falling in love with a scumbag. The story of a brainless girl falling in love with a scumbag. The story of a brainless girl falling in love with a scumbag. The story of a brainless girl falling in love with a scumbag. The story of a brainless girl falling in love with a scumbag. The story of a brainless girl falling in love with a scumbag. The story of a brainless girl falling in love with a scumbag. The story of a brainless girl falling in love with a scumbag. The story of a brainless girl falling in love with a scumbag. The story of a brainless girl falling in love with a scumbag. The story of a brainless girl falling in love with a scumbag. The story of a brainless girl falling in love with a scumbag. The story of a brainless girl falling in love with a scumbag. The story of a brainless girl falling in love with a scumbag.

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Extended Reading
  • Major 2022-03-28 09:01:11

    After reading Zweig's original work, I will give Xu's adapted movie one star. After watching this, I will give Xu's movie another star. Xu's film is to be persistent for his own choice. The powerlessness of a woman willing to give her life for a man, I love you, but it has nothing to do with you, is it really irrelevant? At this point I think the director resonates more with Zweig. It's a pity that the end made the male protagonist cry bitterly and go to the duel appointment, dispelling the tragic nature of the original work. It's also a big pity that I didn't shoot the scene where the old housekeeper recognizes the heroine. This is the most heartbreaking climax of the whole story. @大光

  • Letha 2022-03-23 09:03:08

    3.5. The first Orpheus. It is not only like a Western version of "Rouge Buckle" with a different ending, but also like a filling of another possibility (premarital encounter and one-way affection) of "Meet Hate Late". The out-of-focus transitions are beautiful and seem uncommon at the same time, and Joan Fontaine's long-span performances are silent. A soul torture from film history/literary and art history: Why have there been so many men since ancient times?

Letter from an Unknown Woman quotes

  • Lisa Berndl: The course of our lives can be changed by such little things. So many passing by, each intent on his own problems. So many faces that one might easily have been lost. I know now that nothing happens by chance. Every moment is measured; every step is counted.

  • Lisa Berndl: Oh, if only you could've recognized what was always yours, could've found what was never lost. If only...