Just a personal opinion: Ryan Reynolds, the man who makes nonsensical movies seem less awkward. It's a cool movie, don't think about why the female gun and the male gun are invincible, why the drag racing boy Six died so silently (so look down on the driver), the doctor is as beautiful as a flower, the coup is simple and so on. Because what I want is to be cool, Four's parkour is too incomprehensible, the assault and action movies of the female gun and the male gun are very good, and the doctor and the female gun are beautiful. Except for swear words and technology online, the pig's feet are quite ordinary, so that he doesn't look like a pig's feet. The hero of this film does not ask for a way out, but only briefly introduces the stories of One and Seven before their death. But why do you want to express so many things? Maybe you dug a hole to fill in a sequel? But if the first one doesn't get a good response, how can there be a sequel? . . . . . Six's disappointment with the government and his own disappointment, One is a little inventor who was about to invent himself to become Iron Man, all the ghosts and monsters except One finally integrated into the world of normal people, they can't give up that love, etc. It's all blurry. Eh, I also complained a lot. . . Four's parkour is so handsome and handsome, with a sense of drag racing, and ordinary gunfights. Use violence to control violence, this film is a muscle film. To sum up the cool movies in cool movies, I know parkour is good, but Four is not the protagonist, and Ben Hardy has a good taste. (As an aside, the action movie of the female gun and the male gun is a bit perfunctory, and the blood is so perfunctory. I give 6 for the sake of parkour.) And why the villain's bodyguard brothers are all wearing Stone Island, the armband is so beautiful, it can be torn apart Send it to me, I'll pay the postage. . .
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