First of all, it is more appropriate to declare that another is called a suspense film (even the snack teacher admits that it is a suspense film)
And here are some of my thoughts
1 About the settings in the play
The first is a person who does not exist. As a 50% effective countermeasure, non-existent people are in the interests of most people, but what the authors map from it is an invisible convention. For example, the person you choose has a lot to do with it. Why is it that the person who does not exist is Miyazaki and not someone else? It may be that Miyazaki and MISAKI have the same pronunciation, but Miyazaki's character and the attitude of the people in the class after the setting of the non-existent person has been lifted are still intriguing. This may be a curse-like cold violence that the author wants to express.
Then there is the relationship between the male and female protagonists
The male protagonist came here because he was hurt and transferred, and he met the female protagonist who didn't exist. If he also turned a blind eye, maybe he could make up for the damage he suffered, but what about Miyazaki? Still alone.
In fact, I really appreciate the setting of Teacher Snack. Their mutual support is really touching, but it has become another irresistible force in the face of the curse.
Then there is the setting of three classes for three years
This curse begins with the heart and ends with tragedy. This unreasonable nature just reflects a sense of impermanence. There are many such things around us. Isn’t it a common feeling?
2 is about the recurring dolls in the play
One is to render the atmosphere of terror
The second is to take care of the lack of caring void in Miyazaki's heart, (that Miyazaki's life-size doll feels very good-looking) In the class, she suffers from indifference and neglect that should not belong to her, and her adoptive mother loves her very much But Ming Qiming understands that she is just a substitute for the dead child of her adoptive mother. Although she is calm and calm, the harm is inevitable.
The third is seeing Qi Ming's prosthetic eyes, shining with a doll-like disorderly brilliance.
As for why she didn't reveal someone who didn't exist early on, I don't think she was trying to push the plot on purpose. First of all, it is related to the character and life experience of the heroine. If you put yourself in her shoes, it may be really difficult to say the death of her sister. Then she became a non-existent person, but the solution was not announced. Knowing the truth but not being able to do anything, it was quite helpless. In the end, after she learned the truth, in order not to hurt Hengyi, her "quiet mind" at the end of the play was actually a state of hesitation and balance. After all, as a middle school student, no matter how calm and strong she is, she is still at a loss.
Finally, I would like to praise the OP for listening to the top, really super nice \^O^/.
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