THIS IS NOT A REVIEW

Ashleigh 2022-03-29 09:01:06

Red unease and restlessness The tearing and silence of voices The portrait of Rembrandt The group portrait of Caravaggio Everyone lives in a different despair

Cara 2022-03-28 09:01:08

After exploring beliefs, relationships, the subconscious and death, Bergman returns to them all with this film. The scene where Anna hugs Agnes implies the transformation of motherhood into divinity, the three sisters live in a hopeless symbolic tradition under intersubjectivity, and the mother who has the face of her sister in memory is reminiscent of Lacan's "" Father's name". At least before the shouting and whispering, Bergman did not emphasize so much on the innovation of form, and many of the breathtaking camera movements were just a coincidence - to borrow the words of teacher @moodlebug, it is the kind, the audience will be killed by the movie type. But the film is chock-full of symbolism from the start—a red background, a long white dress, a clock, a crying woman... It’s a must-see for Bergman’s summation and innovation.