First: Questions about the characters in the film. In the film, there are a total of six characters, so I would like to talk about the issue of character symbols. First, the heroine: a person who is pregnant and has an opinion on abortion or not. This kind of person is not determined. Attitude, they have no feelings for the fetus, and whether they retain the fetus depends only on whether they are ready (but they are redeemed in the end) ②The male protagonist: The person who supports abortion among the parties (but is redeemed in the end) ③The female protagonist’s brother : Those who support abortion among non-parties are similar to those who march on the street in support of abortion. Please pay attention to the point of view expressed. He supports abortion because he does not want his sister to be alienated from him. It is a disease. It can be seen that the director is still very optimistic about such people and their reasons (death at the end) ④Businessman Ross: This word means to remove the shell in English. The symbol is the infanticide (the last death in the play) ⑤The businessman's wife, unlike the businessman, the wife is indeed an opponent of abortion, but the difference is that the appearance of the wife is to turn this matter around, (that is, everyone I can't touch the stone, which means I believe in the stone, but I am killed) ⑥Tobin: It is the child itself, the key to the front and back, the beginning of the event, the inducement of the fall, and the possible redemption. , I can't think of this point that modern directors still use. The pattern on the stone, the last close-up is that the person on the pattern gave birth to a baby, but stabbed the baby to death (do not believe it). Why is it a metaphor for the man's phallus? Under the stone, there are a group of imprisoned people, like a hell scene, but not a baby, why, in fact, this is talking about some casual sex (opposition attitude), and the obliteration of people by such sex. The ground collapsed and I knew it immediately. Metaphor 2: The male protagonist appears, but it is an elevation shot? The elevation angle belongs to the hero in the movie (please read professional books if you don't believe it) That is to say, in the end, this person is a hero. Sure enough, he redeemed himself, why because he prevented the two brothers and sisters from going to San Diego through Tobin, and also let the sister understand the meaning of the family and the fetus. Metaphor 3: The Blackstone Church of the Redeemer, look at the church, which is not used by anyone. It is the passage for the Redeemer to leave the grass. Please note that the male protagonist’s common sense is opened, but there is no success. Why, redemption can only be done from the inside out. Metaphor 4: The grass, and the headless grass-masked man, these are the babies. The grass is a metaphor for addiction and fall, which is a manifestation of the punishment for the crime of abortion in Christianity (the original teacher said, to understand their Literature, you must understand the Bible first, it makes sense) Those who support abortion and hope that pregnant women have abortions, although they say they are thinking about women, but in fact they are for myself. Then pregnant women, instigated by these people, think that abortion is reasonable, so they go. But because abortion can allow people who are addicted to such abnormal sex to continue to sink (Black Stone), also because it hurts people so much, and because of the punishment after death and so on. So some people began to reflect and redeem, but the redemption was very difficult, some people died (Tobin's mother), and some people remained in psychedelics forever (male protagonist).
The Three Sages of the East brought gifts to celebrate when Jesus was born. The film, The Infant Killer, is telling that story, and it's actually profound.
Although I feel that expressing these, I still feel that the female body is determined by the female.
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