The first time I watched Abbas's film was during the National Day holiday in 2001. At a friend's house, my friend went to see him off at the airport, leaving me alone. I was bored, so I flipped through a dazzling array of discs. Seeing a piece of "The Taste of Cherry" is also a very moving name.
I have seen Dai Jinhua's first movie recommendation beforehand. When it comes to Iranian movies, there is this name. At the time, it was mistakenly thought that it and "Little Shoes" were both produced by the same director. Only later did I know that the director of "Little Shoes" Mamedi is the second generation director of Iranian films, while Abbas is the third generation. Although the two have similarities in the topic selection, they are very similar in many other places. big difference.
Ma Maddie's two representative works "Little Shoes" and "Colors of Heaven" are both works of children's themes, showing children's kind and pure hearts and family affection that is thicker than water. They are simple and tear-jerking, but their scope A few of Abbas' representative works, "The Taste of Cherry", "Olive Tree Lover", "Where Is My Friend's Home", "Breathless", etc., have varied themes and broad vision. Against the background of poverty, backwardness and turmoil, "The Taste of Cherry" focuses on the suffering of life and tells the philosophy of life, "Olive Tree Lover" tells the simple and simple love of a young couple after the disaster, "Where Is My Friend's Home" shows It is the kindness and innocence of children. The saying that "human nature is inherently good at the beginning" has been fully confirmed here. "Endless Life" records the process of people rebuilding their homes after the earthquake, which is more like a documentary.
It can be said that it is impossible to evaluate Abbas just by looking at one work. Only when his various works are combined can they constitute Abbas' style. This is a third world with a strong sense of sympathy and social responsibility. As a national director, his broad perspective, keen insight and deep thinking make his works concise and profound, which not only impresses the audience, but also makes people think-provoking and alert. In my opinion, he is above Marmedi. It seems that the third generation of Iranian directors, following the second generation, is better than the blue. It is no wonder that Iranian films have become famous in recent years. But looking at Chinese film directors, it seems that one generation is inferior to one generation.
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