winter light The
clock clack The
mistress 's dry lips tune the clock? ? I only get up at ten o'clock (I am today at 10:01), in pain,
chanting and hitting the chime~ 噔
1
00:07:10,571 --> 00:07:14,940
It is early Monday morning...
2
00:07:14,975 - -> 00:07:24,715
and I am in pain.
3
00:07:36,900 --> 00:07:40,392
My sisters...
4
00:07:43,908 --> 00:07:46,536
and Anna.. .
5
00:07:46,644 --> 00:07:52,480 are
taking turns
staying up.
anna see the fire
?
In the sequence where
Maria Anguish, and her desire to be close, to touch Karin's desire.
Anna's morning prayer for her daughter~~~
00:21 some years earlier...
when Agnes had gone to italy for her health
maria and her hushand , Joakim were staying at the manor
anna's little daughter-----
00:31
Pendulum tick. . . tickle
00:47:46,639 --> 00:47:51,133
God, our Father,
in His infiinite wisdom...
has called you home to Him...
still in the bloom
of your youth.
In your life
He found you worthy ...
of bearing a long
and torturous agony.
You submitted to it patiently
and without complaint...
in the certain knowledge that
your sins would be forgiven...
through the death on the cross
of your Lord, Jesus Christ.
May your Father in Heaven...
when you step
into His presence...
have mercy on your soul.
May He let His angels
remove from you the memory...
of your earthly pain.
Should it be...
that you gathered up
our suffering in agony...
into your body.
Should it be
you bore with you...
this hardship
through death.
Should it be
that you meet with God...
as you come to that
other land.
Should it be that
you find his countenance...
00:49:32,894 --> 00:49:35,385
Agnes, dear child,
please listen.
Listen to what
I have to tell you now.
Pray for us who
have been left in darkness...
left behind
on this miserable Earth...
with the sky above us,
grim and empty.
Lay your burden
at God's feet...
the whole
of all your suffering...
and plead with Him
to pardon us.
Plead with Him
that He may free us...
of our anxiety
and of our weariness...
of our misgivings
and fears.
Plead with Him
that He may make...
sense and meaning
of our lives .
Agnes, you who have borne...
your anguish and suffering
so long...
are most surely worthy...
of advocating our cause.
She was my confirmation child.
51 karin
Some years earlier, Karin
and her husband Fredrik...
were pursuing
a diplomatic career.
During a visit
to their native land...
they stayed for some months
at the manor
. Extend life by 5 years,
super sex, anan, karin, undressing and wearing pajamas, Gown
piano teacher~~
01:01 The yin and yang face in the light~~
01:11:17,873 --> 01:11:20,171
You sit there grinning
your cold little grin.
426
01:11:20,276 --> 01:11:22,210
What are you thinking?
427
01:11:22,311 --> 01:11:26,042
Would you care to tell me?
428
01:11 :26,149 --> 01:11:29,312
May I have your opinion?
429
01:11:30,721 --> 01:11:34,179
No!
That's just what I thought.
430
01:11:34,292 --> 01:11:37,193
You'd rather stay silent.
431
01:11:37,295 - -> 01:11:40,787
And you are right, Maria!
Hate to close the door and leave and
scream and cry. Oh~ (a little pleasure) Oh (become hate and bite hard)
432
01: 12:13,469 --> 01:12:17,838
Maria! Forgive me.
433
01:12:19,476 --> 01:12:23,242
Maybe you mean well.
434
01:12:23,347 --> 01:12:26,976
Maybe you just
want to know me better.
435
01:12:27,085 --> 01:12:29,849
Maria, dear, forgive me.
436
01:12:29,955 --> 01:12:34,392
I do run on and on.
437
01:12:34,493 --> 01:12:38,987
No.
No, that's not true either.
438
01:12:39,066 --> 01:12:43,400
Maria, look at me.
439
01:12:44,237 --> 01:12:47,138
Maria, look at me.
Silent talk to each other cello shut up when you want to listen so you don't hear nonsense
440
01:15:05,398 --> 01 :15:09,300
Don't you hear it?
~
01:17:49,318 --> 01:17:52,344
Agnes wants Karin
to come to her.
454
01:18:05,603 --> 01:18:10,233
Can't you hold my hands
and warm me?
455
01:18:10,342 --> 01:18:15,370
Stay with me
until the horror is over.
anna behind closed doors the camera slams into her face
01:18:31,766 --> 01:18:37,261
Nobody would do what you ask.
I'm still alive.
458
01:18:37,373 --> 01:18:40,399
I won't accept involvement
with your death.
459
01:18:45,648 --> 01:18:51,416
Perchance, if I had loved you...
460
01:18:51,489 --> 01:18:54,686
but I do not love you.
To the extreme, the doctor said past only shows conflict-maximizing outbreaks
116
00:24:45,637 --> 00:24:48,538
Why are you so formal?
117
00:24:51,076 --> 00:24:54,568
Couldn't you let the past
be forgotten?
118
00:25:00,086 --> 00:25:02,987
Come here, Marie.
119
00:25:03,089 --> 00:25:05,557
Come.
120
00:25:07,662 --> 00:25:10,597
Look at yourself
in the mirror.
121
00:25:11,232 --> 00:25:12,529
You're beautiful.
122
00:25:12,634 --> 00 :25:16,126
You are probably
more beautiful now than before.
123
00:25:16,238 --> 00:25:18,570
But you have changed
a lot too.
124
00:25:19,943 --> 00:25:22,571
I want you to see
how you've changed.
125
00:25:22,679 --> 00:25:26,706
Now your eyes cast quick,
calculating side glances.
126
00:25:26,816 --> 00:25:29,148
You used to look ahead
straightforwardly...
127
00:25:29,253 --> 00:25:33,587
openly, unmasked.
128
00:25:33,691 --> 00:25:37,627
Your mouth has taken on
an expression of discontent...
129
00:25:38,263 - -> 00:25:39,662
and hunger.
130
00:25:40,265 --> 00:25:43,723
It used to be so soft.
131
00:25:43,836 --> 00:25:48,170
Your complexion is pale now .
You use makeup.
Your fine, broad forehead...
now has four wrinkles
above each brow.
No, you can't see it
in this light...
but you can
in broad daylight.
Do you know what
caused those wrinkles?
- No.
- Indifference, Marie.
And this fine line
that runs from ear to chin...
is not as obvious any more...
but it is etched there by
your easygoing, indolent ways.
And there,
by the bridge of your nose.
Why do you sneer
so often , Marie?
You see it?
You sneer too often.
See, Marie?
And look under your eyes.
The sharp,
scarcely noticeable lines...
of your impatience
and your ennui.
Can you actually see
all of that in my face?
149
00:26:46,775 --> 00:26:48,970
No, but I feel it
when you kiss me.
150
00:26:49,044 --> 00:26:51,979
I think
you're joking with me.
151
00:26:52,047 --> 00:26:54,106
It's evident
where you see it.
152
00:26:54,216 --> 00:26:57,708
- Really? Where?
- You see it in yourself.
153
00: 26:58,354 --> 00:27:00,982
Because we're so alike,
you and I.
154
00:27:01,057 --> 00:27:05,118
You mean the selfishness?
155
00:27:05,228 --> 00:27:09,255
Coldness? Unconcern?
156
00:27:16,375 --> 00:27:20,709
I usually find
your arguments boring.
157
00:27:21,380 --> 00:27:25,111
Is there no absolution
for such as you and I?
158
00:27:25,218 --> 00:27:29,154
I haven't any need
of being pardoned. The
camera pulls back to this moment, she is still in the dark, the other half of her face is illuminated, and the original bright area sinks into the dark.
Or maria can act 01:09:59,317 --> 01:10:02,081
Do you realize I hate you?
And how foolish I find
your insipid smiles...
and your idiotic
flirtatiousness.
---------- -----------------------------
01:19:42,280 --> 01:19:45,477
Agnes wants Maria to come in.
Don 't be afraid.
Please touch me.
Please talk with me.
Hold my hands and warm me.
You are my sister.
I don't want you to be alone.
Oh, how sorry I am for you.
Do you recall
when we were small...
and twilight came
as we played...
and both of us
became frightened...
and we'd cuddle very close
and hold each other tight.
It's simply the same thing now,
isn't it?
I can't hear
what you're saying.
You must come to me.
Closer.
480
01:21:25,564 --> 01:21:28,465
Hold my hands.
481
01:22:41,082 --> 01:22:46,418
I'll stay with you.
I'll stay here.
----- -
closer is indistinguishable
01:27:04,282 --> 01:27:06,750
It's that everything seems
different since that evening.
529
01:27:06,851 --> 01:27:10,787
I think we've become
very much closer.
530
01:27:15,461 --> 01:27:17,759
What are you thinking about?
531
01:27:18,432 --> 01:27:19,831
I'm thinking
about the conversation--
532
01:27:19,933 --> 01:27:22,367
- No, you're not .
- I was thinking how Joakim...
533
01:27:22,469 --> 01:27:25,233
hates it
if I keep him waiting.
534
01:27:25,306 --> 01:27:27,365
I have no idea
why you call me to account...
535
01:27:27,475 --> 01:27:31,377
as if I were on trial
for my thoughts, Karin.
--------------- --- **********
and Anna pushed us,
slowly and gently.
559
01:30:08,024 --> 01:30:12,154
All my aches and pains
were gone.
560
01:30:12,263 --> 01:30:17,030
The people I am most fond of
in all the world were with me.
561
01:30:17,134 --> 01:30: 20,160
I could hear their chatting
around me.
562
01:30:20,272 --> 01:30:22,604
I could feel the presence
of their bodies...
563
01:30:22,674 --> 01:30:25,609
the warmth of their hands.
564
01:30:25,677 --> 01:30:29,169
I wanted to hold the moment fast
and thought;
565
01:30:29,282 --> 01:30:34,049
''Come what may,
this is happiness.
566
01:30:34,121 --> 01:30:37,181
''I cannot wish
for anything better.
567
01:30:37,291 --> 01:30:41,057
''Now, for a few minutes...
568
01:30:41,129 --> 01:30:44,326
'' I can experience perfection.
569
01:30:44,432 --> 01:30:47,458
'And I feel profoundly grateful
to my life...
570
01:30:47,570 --> 01:30:50,061
''which gives me so much. ''
Plot synopsis: "Cry and Whisper" continues on the road of exploration of "Wild Strawberry". The story is concentrated within two days, but it is already a lifetime. Red here symbolizes falsehood, and all words related to the
red background are untrue, because everything is wrapped in hypocrisy, and after shouting, there are only whispers that even I can't hear.
Everyone has two sides, the shouting side and the whispering side, eager to peep into the hearts of others, but repeatedly refuse to open themselves, so the shouts are blocked by their closed hearts, gradually forming
a red, and finally people are submerged in them, Indistinguishable, turned into a whisper like a mosquito.
When the eldest sister was dying, she saw all the good things clearly, and hoped to reconcile with her sister before her death, but was cruelly rejected. The second child and the third child have a superficial mutual understanding due to fear.
, leading to earnest talk in a short period of time, in that environment, the words have no substantive meaning, they are just transferring each other's fears to each other.
The virgin servant Anna, she was to some extent deliberately portrayed as an almost selfless and great "perfect person", but this innocence and kindness were also
abandoned at the last moment by the whole society, which was symbolized by the two sisters, morality and quality Completely ineffective. Bergman once again said that religion cannot do anything. Although he no longer discusses it publicly, the powerlessness of faith is always present. So what can we
believe at this moment?
In the end, the eldest sister's soul is purified. It continues the idea of "Wild Strawberry". The real beauty can
only Here, a hopeful utopia is finally found, even if it doesn't actually happen. At the moment of death, what should be true is false; what appears to be false has
finally become the true destination.
In terms of emotional mobilization, the work draws on the charm of background music to make footnotes for the interpretation of the characters' complex relationships and spiritual monologues. The wonderful sounds like the sounds of nature are precisely the whispers of the characters' inner
confidants, which are intriguing, and the silent and better than the sound atmosphere created is better than all futile confessions. In the film, in the scene of Maria and Karin reconciling, the two did not say a word, but they could
feel the closeness of each other's hearts. At this time, the background music is Bach's Cello Suite. As Peter Harcourt said, "We can't help being moved sometimes by convincing film plots
, but at the same time we are delighted, because in other things we can feel the artist's impact on various occasions. control".
-----
Agnes suffers from an incurable disease, and she knows that she can't afford the disease. All she can do is recall the past, and she now fully
understands what her mother thought. ? ? ? ? ? ? ? ? ? ?
Anna comforts Iris. She was half-kneeling on the bed, and the figure of Iris in her bare arms turned out to be Madonna-like thick and powerful, dignified and glorious. Maybe, this is the end of the pain, the
redemption of the claustrophobic world? However, I can't believe the redemption that is incompatible with the whole film.
In the film, the eldest sister Karin has a strange disease, that is, she is afraid of others touching her body. This kind of psychology has even reached the point of extreme perversion, so that she uses self-mutilation genitalia to isolate her
sexual contact with her husband----- ---Maria is also a character that Bergman focuses on portraying. In this character, it seems that there are signs of fragility enough to make her easily eroded by indifference.
His character is frivolous and hypersensitive and cowardly. For example, when Agnes was almost dying, she took the time to seduce the doctor who came to see her; when Agnes died for the first time, she was
insanely praying to break away from Karin, which all showed that she The human flaw of being easily controlled by instinctive emotions makes it no surprise that when Agnes actually asks for a hug the second time she is about to die, she
suddenly runs away in fright
00:12:59,868 - -> 00:13:03,031
Mother is in my thoughts
nearly every day...
19
00:13:03,138 --> 00:13:07,165
although she's been dead
for over 20 years.
20
00:13:07,276 --> 00:13:09,335
I remember
she would often seek...
21
00:13:09,445 --> 00:13:12,744
the solitude and peace
of the grounds.
22
00:13:12,849 --> 00:13:16,751
I also remember that I would
follow her at a distance...
23
00:13:16,854 --> 00:13:20,312
and spy on her
without really meaning to...
24
00:13:20,424 --> 00:13:23,086
because I loved her
to such a jealous extreme.
25
00:13:24,696 --> 00:13:26,664
I loved her because
she was so gentle...
26
00:13:26,731 --> 00:13:28,358
and beautiful and alive...
27
00:13:29,001 --> 00:13:31,026
and so all-pervadingly
present.
28
00:13:32,505 --> 00:13:35,133
But she could also be cold,
playfully cruel...
29
00:13:35,207 --> 00:13:37,175
and rebuff me.
30
00:13:39,813 --> 00:13:43,214
Yet I could not help
feeling sorry for her...
31
00:13:43,317 --> 00:13:45,979
and now that I'm older,
I understand her much better.
32
00:13:48,456 --> 00:13:50,219
I wish I could
see her again...
33
00:13:50,325 --> 00:13:52,452
to tell her
what I understand...
34
00:13:53,195 --> 00:13:55,925
of her boredom,
her impatience...
35
00:13:56,532 --> 00:13:59,933
her longing
and her loneliness. Then comes Agnes' recollection of her mother, where Agnes expresses her understanding of the present state through her understanding of her mother, and
the source of her hidden desire to "shout" . In the memory, the mother always whispered to the little daughter in a low voice, she also longed for her mother's favor, she was jealous. She hoped that people could get along with each other closely.
****
Bergman is said to be inspired by images that came to his mind over and over again: "Four women in white walking around the red room, whispering to each other, acting mysteriously" that "returned again and again
" "Want me to do something." He did it.
The film focuses on the state of the characters, and Bergman uses a lot of close-ups and close-ups in this film.
Close-ups, like accents, put the focus of the film on a certain point in an instant (a moment).
Close-ups often have to face people's faces.
When people are stimulated by the external world, they will have an emotion. Emotions are expressed on the face, that is, expressions. Human expression is not only completed by the main organs and muscles of the face, but
every inch , the whole face is in that "emotional" state. There are not only dozens of violent expressions, but it is actually very complicated. The external conditions that stimulate this emotion cannot be replicated,
so human expressions cannot be replicated.
The face is a mirror of the soul.
Having said that, let me talk about my views on performance.
Performance is not a humanized doll, but a reality. In an immature performance, the actor is making an expression. The real performance is the external performance of "real", the actor is immersed in a kind of emotion.
In the performance, the actor's face is "dead" except for the organs that do "action". His face is "dead". His expression didn't match his face. Only the face of a person immersed in emotion
is alive. The ideal performance is a state, not creative.
Unlike most of Bergman's films, Cries and Whispers uses saturated colour, in particular crimson
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