Maybe it's better this way!

Theron 2022-03-22 09:01:39

The story is about a female doctor and a male architect
who lived in the same glass house by the lake at different times. They fell in
love through letters
but found that they were two years apart. The

man said, why don't we set a date for two years? But the seats are still reserved for them. The man didn't show up on Valentine's Day two years ago. A woman saw a man in a car accident. She tried to save him. He was still dead. He was lying in her arms. She felt sorry for him . His lover and family will be sad for his loss and she doesn't know that she is his lover after two years. Americans always like happy endings and I like a touch of sadness. I like the sadness of fate. In life, there are always some Things can't be let go and can't be changed. Love always returns, so we appreciate such eternal regrets more than thinking of architects because they are busy with work and projects, neglecting the sensitive and delicate heart of female doctors. The pleasure of the female doctor was coldly treated by the female doctor. The female doctor felt that he was only obsessed with his own body and ignored the books she liked to read in the past. The female doctor said that because of loneliness or boredom, the female doctor would occasionally date the CEO's ex-boyfriend to meet an architect . Will only build houses, not homes. Insert a small plot: the father of the architect (Keanu Reeves) in the film is the architect who drank and smoked marijuana with Wright and Le Corbusier. The glass house by the lake is his masterpiece
































In the film, there is a comment on the architecture of the father before his death (the light must obey the natural environment), which is in place, I like it very much, and it also implies the father-son relationship between men!

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Extended Reading
  • Roberta 2022-03-25 09:01:08

    How can this pair of lovers get foreign countries, they don't have that taste, they're better from Korea

  • Joaquin 2022-04-23 07:01:48

    When you can't touch it, it is more like the golden light on the flow of time. One star for the OST.

The Lake House quotes

  • Simon Wyler: Where's your brother?

    Alex: I sent him away. He wasn't feeling well. You know how he is, he worries.

    Simon Wyler: Yeah, I know. He gets that from your mother, I'm afraid. She always worried too much.

    Alex: What are you looking at?

    [looking at architectural plans]

    Simon Wyler: Hmm? Oh, yeah, here, take a gander. It's a proposal for a museum.

    Alex: Who is it?

    Simon Wyler: Someone new.

    Alex: Oh, I like the walkways, where the light falls. What are the materials?

    Simon Wyler: Granite. Aluminum.

    Alex: White panels are straight out of Meier... but the interior color coming through the front windows, that's different. It's not new, but it's clean, uncluttered. I like it.

    Simon Wyler: When was the last time you were in Barcelona?

    Alex: Years ago, with you, Mom and Henry.

    Simon Wyler: Do you remember visiting Casa de la Caritat?

    Alex: The almshouse.

    Simon Wyler: That's right. You mentioned Meier. His Barcelona museum stands in the same area as Casa de la Caritat. It drinks the same light. Meier designed a series of louvered skylights to capture that light and cast it inward to illuminate the art within, but indirectly. And, that was important, because although light enhances art, it can also degrade it. But, you know all that already, you son of a gun. Now, this... where do you suppose this is to be built?

    Alex: I have no idea.

    Simon Wyler: Oh, but you said you liked it.

    Alex: Conceptually.

    Simon Wyler: Now, come on. You know as well as I do that the light in Barcelona is quite different from the light in Tokyo. And, the light in Tokyo is different from that in Prague. A truly great structure, one that is meant to stand the tests of time never disregards its environment. A serious architect takes that into account. He knows that if he wants presence, he must consult with nature. He must be captivated by the light. Always the light. Always.

  • Alex: There should be a stairway down to the water, a porch, a deck. Here, you're in a - in a box. A glass box with a view to everything that's around you... but you can't touch it. No interconnection between you and what you're looking at.

    Henry Wyler: I don't know, you know. He's got this big maple growing right in the middle of the house.

    Alex: Containment.

    [He pushes a button which opens a glass door]

    Alex: Containment and control. This house is about ownership, not connection. I mean, it's beautiful. Seductive, even. But, it's incomplete.

    [He pauses]

    Alex: It was all about him. Dad knew how to build a house, not a home. But you know... I think he wants us to do what he couldn't. But, admitting that would mean admitting that he came up short in some way... that he could do more. And that tortures him.

    Henry Wyler: Do you remembering being here with Mom?

    Alex: I remember she tried to make it work here... with us... with him.