The girl named Miho seems to have a very beautiful but fragile face. Miho Nakayama in
She plays a woman who has been hit by her nerves after being abandoned by her boyfriend, wearing simple soft clothes, untidy braids, and losing her smile. The thick red rope tied together everywhere they go reminds me of the performance art I've seen in books that lasted a year. The two had nothing to do with each other before, and after that, they had to eat and sleep together. Even when they went to the toilet and masturbated, they couldn't untie the Chinese and foreign artists who were tied to their bodies.
They are different, he loves her dearly. She was so distressed that she couldn't ignore it, so she could only use this method to keep her safety and his guilt in captivity. Emotions have been disabled and can only be bound by the flesh.
The director acts like a child. The three love story scenes strung together by seasons are fragmented, and the connection between the stories is too simple and unadorned. He seems to be always like this, the villain in the adult world. Arrogant and domineering tore apart the environment in which he was in, the undercurrent of violence, the unparalleled power. After you feel the pain, there is a sudden and beautiful silence. And the humans under his camera have always been like this, either with expressionless faces or hideous expressions.
What impressed me was not the sudden death of the man, but the old face of the old man that appeared together after the plasma was scrubbed on the ground and the special effects. The bright red blood stains and the bright green uniform straps made people feel extremely beautiful. Then there are large swaths of dark red maple leaves, which are full of energy and enchanting, matched with the women's red yukata. All over the place. He let them die silently. He pulls their happiest footage straight into the already silent status quo, like a miscut clip, and it's frighteningly straightforward.
In the last ten minutes, I had no patience to watch it, thinking that it would stumble and spread sadness in the snow and then the curtain would come to an end. But he was him, not Iwai Shunji. Violent aestheticians say, don't die, don't be happy.
The text of this film is actually, "あなたにここにいでほしい". I really don't know if it was deliberately hyped into a love movie, or it was his personality split again.
That is.
55-year-old Takeshi Kitano.
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