When we meet, it is difficult to say goodbye as well. This kind of implicit melancholy of Li Shang is rarely seen in Hollywood, and is now regarded as the classic old-fashioned love movie.
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Li Shang's implicit melancholy
Harry 2022-03-21 09:02:48
Hollywood's "Nan Ke Yi Meng", "Zhuang Zhou Meng Butterfly". The male and female protagonists are both extremely beautiful - the male is the first generation of Superman, Christopher, who has not fallen off a horse and become disabled, and the female is Jane Seymour, a Polish-French half-blood - and of course the music, I checked it on the Internet, yes "Rhapsody on a Theme of Paganini", a tender, sentimental and tragic piano concerto, completed in 1934 by Russian composer Rachmaninoff, based on the theme of Italian violinist Paganini's 24th violin capriccio Work, no. 43.
When we meet, it is difficult to say goodbye as well. This kind of implicit melancholy of Li Shang is rarely seen in Hollywood, and is now regarded as the classic old-fashioned love movie.
When we meet, it is difficult to say goodbye as well. This kind of implicit melancholy of Li Shang is rarely seen in Hollywood, and is now regarded as the classic old-fashioned love movie.
Extended Reading
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Joannie 2022-03-16 09:01:06
This is the movie that I really didn't have to watch in my LD era, so I got the courage to watch it. It completely attracted me. Not only the music I have used for 5 years, but also the plot, everything, love it. Your face, everything about you that I have loved, will not be submerged in time, they are sealed in the palace in my heart, and will never disappear. Time can't help our love. On June 26, 2021, the second brush, the plot is simple enough to be a music MV!
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Blanca 2022-03-19 09:01:07
The music is too classic. The heroine is beautiful and the scene is beautiful. It's a pity like a science fiction movie.
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Elise McKenna: The man of my dreams has almost faded now. The one I have created in my mind. The sort of man each woman dreams of, in the deepest and most secret reaches of her heart. I can almost see him now before me. What would I say to him if he were really here? "Forgive me. I have never known this feeling. I have lived without it all my life. Is it any wonder, then, I failed to recognise you? You, who brought it to me for the first time. Is there any way that I can tell you how my life has changed? Any way at all to let you know what sweetness you have given me? There is so much to say. I cannot find the words. Except for these: I love you". Such would I say to him if he were really here.
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Richard Collier: This is not for a play, Miss Roberts. This is something very personal.
[shows her the pocketwatch]
Laura Roberts: Where did you get that?
Richard Collier: Well, she gave it to me, ma'am. At the opening of a play I wrote eight years ago at Millfield College.
Laura Roberts: That watch was very precious to her. She never- never left it out of her possession. It disappeared the night she died.
Richard Collier: She died that night?