The first time I knew this movie was not because of Schlondorff's identity as the standard bearer of the new German film, but from Ge Hongbing's "Sand Bed", I imagined what this movie would be like for women like Pei Zi. . . Now I understand that, emotionally speaking, there is something untouchable about her and the way the movie makes me feel.
Some of my favorite American movies are ultimately too charming, and movies should also be able to describe history in a more serious way.
History cannot be reproduced in full time and space, including the pain and joy of all the lives that have passed away, but that meaning, in some movies, takes a different attitude, a perspective, and a spirit. A fulcrum worth thinking and remembering, cutting in and stretching out.
I like the echo before and after this movie. The picture, the color of the sky, is no longer the scenery itself, it is also a sound. . .
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