I really liked the fact that Mathilde was played by Audrey Tatu. She dragged her mutilated legs and ran desperately through the off-road grassy bushes just to pray to get to the corner sooner than the car, so that her pure and sincere wishes could be more fulfilled. When Audrey ran, her eyes were focused and stubborn, and her thin body was wrapped in a long dress. I always think of her blowing out Manette's match, and every time I lose one piece of clothes, with a coquettish and shy smile, probably because of such a beautiful life, I never gave up exploring the so-called gloomy ending. If you die, I will be the first in the world to feel it. She always thought that if the dog ran into the room before my uncle called me for dinner, then Manette was still alive. If the train hadn't entered the tunnel or the ticket inspector had entered before I counted to seven, then Manette was dead. If the apple peel never breaks, then Manette is still alive. How merciful of God, Mathilde was never disappointed. And when hope was crushed, she gave the man a slap in the face. Crisp and loud.
And another woman, I love her. Let Pierre Junnet's camera love her so much, illuminating her left face obliquely from the right side, her eyebrows are deep and delicate, and the corners of her lips are slightly raised. In her next appearance, she will play a seductive elf with a rounded back, sitting astride a man with a fat waist and belly, wearing a black tights and a glittering pendant on her forehead, like an Indian girl. The soprano sang in a clear and bright voice. With the shock of the next moment, she pulled out a gun and smashed the gorgeous pendant lamp. The cold glass plunged into the man's fat belly and made a muffled sound, dark red blood flowed across her eyes, and her eyes were cold. She was also in the dark workshop, disguised as a nun, holding a needle and threatening the red-haired Veronica who passed by. And she just wanted an answer. Then there are flashbacks, where she remains mysterious throughout her quest and revenge. And Mathilde read the news from the newspaper that she was about to be beheaded, and his heart twitched slightly. Seeing her calm and comfortable sitting in the cold cell, she said nonchalantly, I am neither afraid nor regretful. It's just that the long hair must be cut short before the execution. It should have looked like Joan of Arc when she saw my angel. She couldn't help but smile with tears when she got the little music box that the angel left her. She will meet the angels in hell, how nice. Her name is TINA in the movie, and the actor is Marion cotillard.
TINA and Mathilde are both brave and persistent women in love. Just like Meng Jiangnu, you must see it with your own eyes to believe it. In the legends about love, the topic of waiting has never been negative and gloomy. Wei Sheng and the woman lived under the beam. The woman did not come, and the water did not go away. Wei Sheng hugged the pillar and died. Weisheng is probably the most infatuated man in the world. His waiting has easily proved his love with his life. Wang Baochuan waited eighteen years for such a cold and boring process to have such a ridiculous ending, which is ridiculous. There are still people who would rather wait endlessly for Godot. In this oil painting-like film, both women chose to seek. They are always stubborn and persistent in the face of desperate background and pressure, because of the support of love. When women are truly in love, there is a force that sets them on fire, unlike most men. A certain kind of obsession may feel too sticky and unbearable in ordinary days, but it is enough to transform into courage and strength in extraordinary times, through long nights, through cold, through loneliness, through winter, through boredom, After suffering all the bruises, the bullying in this world, and the heavy despair, I saw the golden sun shining in the corner.
Manette, played by Gaspard Ulliel, has clear eyes. The palm of your hand that can feel the heartbeat, how warm this sentence is. For a moment, let me believe that men can also love to forbear, such as the undercurrent.
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