I started watching this movie without reading the introduction. I didn’t know what the director wanted to express in the first half, so I switched my thoughts between science fiction and humanities. After seeing it, I finally understood that the director was thinking about the heroine’s thoughts and ideas. Switching shots between the real status quo, does this form of expression want to imply anything, but even if there is, it is not profound, and the reason is not profound, because the film is more for the director, in fact, there is an interesting phenomenon, In addition to the fans of the actors, there are quite a few people who like this movie, but there are also quite a few people who appreciate the director. Unfortunately, I have no concept of the director, and I can't say that I like his way of expressing it.
And from the beginning to the end of the movie, there is no point that can catch people, it seems too messy and lengthy. Among them, the positioning of RAIN is the most unintelligible, and the front and later stages are seriously out of touch, RAIN's mental state at the beginning and the characteristics of stealing things , the setting is quite distinctive, but when designing a rice cooker for the heroine, it becomes abnormally normal, please note that I used the word abnormal, indulging in the state of self and fantasy, not completely There is no normal behavior, but the normal here is too hypocritical, making the character's characteristics deviate from the usual main tone. However, what I have to admit is that the only part of this movie that made me sigh with emotion was RAIN's design of the rice cooker, which extended to the mouthful of rice that Lin Xiujing ate in the restaurant. When I saw this, I thought to myself in my heart. It turned out that the essence of the film is reflected in the last 20 minutes. Even if the first part is long, I decided to give it a high score, but then the plot took a sharp turn, because I once thought that Lin Xiujing's mental state was caused by the departure of her grandmother, who had depended on each other since childhood. Exciting, imagine that I am a robot, and then whether it is to lash out on human feelings, or to highlight humanistic care, this point is always vague, in short, the result is that Lin Xiujing has returned to normal in RIAN's love, or At least love has changed something, but when she told the doctor about her story with her grandmother, it was obvious that this was a story about a family history of mental illness, and I couldn't find the theme again. Is there a theme for this movie? What is the theme? It is true that an entertainment film can have no theme, as long as it simply laughs, or simply attracts you, it cannot attract you to watch it with full attention, and then you think it is a good movie, according to common sense. In other words, the theme must be clear enough to make you feel connected, but this film has not achieved anything. If the label of this film is a romance film, the final ending should sublimate the film, but the result is more and more Makes people ignorant. The only highlight of the whole movie, that is, Lin Xiujing's performance, has really improved a lot, and it can be seen that she has put a lot of effort into this movie.
Well, to sum up, if I ran to RAIN and Lin Xiujing before, I would definitely think that this should be a Korean beautiful or fresh love movie. According to this logic, the part where RAIN asked Lin Xiujing to eat, there are still some signs. But the biggest flaw is the setting of the character RIAN, which makes the film nondescript. It's a pity that RIAN's self-destructive performance in this film. Some people say that this is a film that embodies humanistic care. I am completely skeptical. The film does not use too much space to express the reality that mental patients are excluded from the outside world. The main scene is still in the hospital, and the doctors and nurses do not. What kind of outrageous behavior is all that the heroine is not accepted at home, but the mother's concern is still reflected in the back. The large amount of switching between reality and fantasy in the first half of the film is neither contrasting nor contemplative, which inevitably makes people tired to watch. In short, the script of this film is very problematic, and the shooting method is mainly for the director. In the end it turned out to be a very different movie. To add another point, I just saw someone mentioned that the director has repeatedly emphasized that he is shooting a commercial film this time, a love film starring two idols. Obviously, he didn't recognize the reality, and the result of compromise was to make the film nondescript and also ruin two good actors, so he still does what he is best at, so as not to harm others or himself.
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