A week is almost insulated from movies. Only watched one copy of Beethoven. shoddy. Lustful and without talent at all, is this Beethoven! In order to create the real protagonist, Anna Hall, it is unforgivable to vilify Beethoven. Just talking about the movie, the death of Beethoven at the beginning seems to be a flashback, but at the end of the movie, I found that there is no color; the characters are set in a bizarre way, and a clue of Beethoven's nephew has almost no connection with the main line. After hearing Bei Jiu's tears, it is impossible to talk about it. What is even more strange is that a large part of Bei Jiuhou's plot disappeared without warning; the plot was absurd and unpredictable, Beethoven directed Bei Jiushi to become a puppet of a female student, broke into the monastery alone and knelt in front of Anna to ask for forgiveness, even if The screenwriter's intention is unexpected, and such an adaptation is really unacceptable. There are only three things I appreciate: "Dream is mysterious but also dangerous, and it's mystery is attributed to the danger." At least this sober vigilance is to be appreciated, ironically this is an idea the director wants to reject. Second, a dialogue that says "When the silence develops you, then your soul can sing." has the same purpose as "Silent Words". There is also "Beethoven's Ninth Symphony (Chorus)", which is the bottom line that music-themed movies will not fail, because Beethoven's most wonderful music will not fail. Picking up Bei Jiu's CD again, 74 minutes of heavy, passionate, grateful, and brilliant. The movie is so weak in front of the voice of God.
I know why "The Biography of Mozart" has received rave reviews, because films with the same theme are of this level. In comparison, Beethoven is still better than Mozart, because his music is more responsible for him, while Mozart is not serious enough (except for the works after "Don Giovanni"). It's a pity that the film was made just the opposite, and Beethoven was completely molested by later generations.
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