Kim Ki-duk, the only Korean director I can accept. This time, cosmetic surgery is used as a target for cognition and hiding. Kim Ki-duk advocates hiding very much, and it has been like this since "Winter and Spring" and "Empty House". The same is true for the ending of Time. The face, a sign of a personality. Does personality change when we lose it or change it? If not, how would others look at the same soul under another face? In the vertical axis of time, does the change of face and personality make people depressed or even hopeless? After watching the movie, I immediately found out the poem I wrote in my freshman year in "Self-Admiration", the title is "Face". The theme is similar to this. I cherish myself three years ago, so sensitive, so willing to think, many of the current confusion can be found in the traces of the answer from the thinking at that time. Fortunately, now I have finally begun to try to balance life and career, thinking and kitsch.
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