In fact, I want to make a big production, but I find that there is really no way to do it better in terms of plot, so I will work harder on the picture, which is also a way, but the director is really inexperienced, you are a special effect background. Oh, how can you make the picture so boring?
Forget everything else, as a film in which the protagonist can fly, if the feeling of flying is not filmed enough, it is a failure. The whole flight of the film is lackluster, just a few dives and a few turns, and it's over. Today's audience is no longer the one who used to see a lump on the screen and can be fooled by shaking it twice. If you want me to shoot, first of all, there must be enough main perspectives and enough impact. When chasing the snake man in the woods, the dive must be consistent and rush into the woods all the way. See the section about rushing into the Death Star Ditch in Chapter 4 of Star Wars if you don't understand. When I took the dragon saddle for the first time, it really didn't make sense to switch the camera during take-off. If I kept the main perspective until take-off, it would be a very impactful segment. When air combat, put more main perspective, you can refer to TopGun's air combat clip.
In short, when the plot is not enough, the audience must have a sense of substitution, so that the audience can be hooked after watching it, as if they just got off the roller coaster and fainted after watching the film, then it is called a blockbuster.
A 3-hour film can be finished in 1.5 hours. It's really good to be able to shoot like this...
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