If it wasn't for its well-placed abrupt end, I'm afraid the next installment would have faced an absolutely depressing scene. The sheriff is still so funny, there are still so many rabble in the police station, the hot girl police flower is still agile, and the protagonist is still as enthusiastic as ever. . . . . . But after watching it for 9 years (4 films), we are all exhausted. Even if you smiled and said to me: No, I have seen it and thought it was funny, but it still can't erase the strange feeling in my heart. Yes, the Taxi we are familiar with is no longer what it used to be, the narrative of the story has become single, and the weight of taxis in the movie is getting lighter and lighter.
The story was probably influenced by the World Cup last year, and it was linked to football at the beginning. Marseille does have a very football atmosphere, which is far from what we have here. (Starting to rant...) The funniest thing is to see the scene where the sons of the two protagonists appear. It's true that people with different living conditions have different education methods. When these two fathers were compared, I laughed to death. Found this to be the highlight of the movie that caught my attention the most. It's a pity that it will not be mentioned later, everyone seems to have forgotten the two lovely children, which is a bit regrettable.
There are still a lot of laughs, most of which are very confusing and incompetent, but such crazy characters always have little funny scenes, or Daniel who is indirectly funny, probably his existence makes those crazy people. increasingly abnormal. . . . . In this film, there are a lot of funny people, but it seems that everyone is a little out of their skills. Even Emilien, the most rookie before, seems to be quite satisfactory in the film. Probably because of the new fatherhood. But there are still people who are more and more CRAZY, especially the sheriff, the sheriff who doesn't know what to do other than funny and bad things. At the end of the movie, he had a very wonderful upside-down hook, which was probably the perfect ending for the whole movie. I'm afraid it was the best thing he did.
The story design is so old-fashioned that I don't want to move my head carefully, anyway, I don't need to use my head to watch this kind of movie. . . . . . The most bizarre thing is that EMILE is so weak that he doesn't even know his wife, which is really outrageous. The ending is very annoying. The rookie who didn't do anything actually became a hero, this market way. . . . .
If it wasn't for Luc' Besson, I'm afraid this film would have lost half of the attention. Luc Besson and Gérard Vazque, who can be called the golden combination of French films, have absolute box-office appeal and mass appeal. Base. From "This Killer Isn't Too Cold" to more recently "Arthur and the Mini Kingdom" and then "Taxi 4", it's pretty much all box office elixir. The "Taxi" series can even be said to be a symbol of the French box office. It's a pity that there are almost no commendable scenes in "4" now. It seems that everyone has forgotten that this is a movie that emphasizes speed, and there is not even a decent road chase. Taxi one is the super classic flying across the broken bridge, two is the Japanese underworld, three is running wild in the snow, and four is. . . . football? . . . . . I always feel that I have taken the vulgar route since 3, probably many people think so. More and more tired, simply ending is the best arrangement.
before being completely bored.
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