A less successful movie with a successful ending.
Darkness and heaviness are the strongest perceptions. The half-crazy Ines, holding the hand of Lorenzo's corpse lying on the cart, smiled and walked away, behind him was the cheerful music of the children, the so-called sadness, but that's all.
Director Milos Foreman's father, a Jewish man, died in a concentration camp during World War II along with his Puritan mother. Therefore, in this film, the wisdom and helplessness of the Jewish people are well represented, although it is only the "periphery" of the theme of the film. Milos' "Mozart" is even better.
View more about Goya's Ghosts reviews