Hidden was mentioned in the previous article, and I felt that the praise was not enough, so I opened another article to express my irresistible admiration for director Michael Haneke (as expected, he is a character with German roots, and his thinking is so meticulous, I don’t know that Rhine What poison of wisdom is in the water of the river). After watching this film, I was sitting alone on the sofa at Stephi's house, with a black cat and a white cat lying on my left and right sides. Half an hour later, I still wanted to high-five. I don't know how to write this review now, so I'll just post my discussion with Qian after the first one here to make up for it! I just want to praise Juliet Binoche's acting skills are really superb, I'm afraid it's a roundworm in the director's stomach.
Qian
, I also like Hidden very much. It is very timely for Europe's attitude towards immigrants. It quietly exposes the hypocrisy of the so-called 'liberal' middle class. French films seem to have a long tradition.
Recently saw a New Zealand short film, two cars, one night, sweet and charming. The protagonists are three Maori children, natural performances, and the local accent is also very cute. Maybe you can find it online.
06 January 1:01 PM
( http://naiq.spaces.live.com/ )
PenguinA
Most people are creatures of the situation, whether it is the middle class, the proletariat, or the general public. Always bear silently and laugh loudly. Only the paranoid, crazy, suicidal idealists do their best to promote the illusion of social progress, while the others who lack foresight and political aspirations are mostly just knee-jerk conditioning for the sake of existence. I believe that people's selfishness is mostly due to the limited vision of people, unable to take into account everything, and can only protect themselves - the so-called "normal" and boring people.
What I like about Hidden is its cultural commonality - although the impact of the Algerian war on France is heavily featured in the film, and immigration issues are clearly discussed, it's a theme and story that In fact, other ecological chains can also be established. Should one man alone be responsible for the harm he inflicts on another because of an inherent selfishness of man? The root of Georges' guilt comes from a selfish lie in his childhood. The kid who plays Georges as a child in the film blinks his eyes cutely and innocently—just in line with the stereotypes of children we are so accustomed to these days. But it is such a child who visually makes people feel pure and selfless as a symbol of light and hope. If he selfishly pushes another person into the abyss of fate, will he be responsible for his selfishness (or narrow ignorance)? Of course the guilt goes hand in hand, even if he doesn't want to admit it - because he doesn't know how to take it. This movie is to open the box of guilt. This phantom feeling, like karma in Buddhism, slightly changes the details of life in small steps. Once it is done, it is irreversible, and everything in the future is the result of what was done in the past. And in the future, we will continue to live with it. I like the director's attitude very much. It's just a discussion. All the causes and development processes are open text, and they don't strongly advocate morality on the subject.
But I have to admit that without the political discussion in it, the film would only be empty and boring.
07 January 8:44 AM
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http://pengzou.spaces.live.com/blog/cns!C49026D8EE4E7AE2!591.entry
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