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Voice
Jacinto 2022-03-21 09:03:00
I discussed his three main shooting techniques in my reading notes a long time ago. This one mainly focuses on auditory matters. Compared with the previous ones, it is a jumping one, except for some of them that use direct Audio recording (which should be included in the concept of direct film) is the so-called "dissonance" sound effect, but I don't agree with this way of modification, because it is more like Godard trying to give the sound an independent montage channel, so that he no longer Become a vassal of images! If you don't believe me, just listen to the dubbing and soundtrack of the movie between 5'45" and 8'00" of Angel entering the backstage of the hotel. Aurally, it constantly promotes the audience to consider the subjective hearing of the character, and visually maintains the viewing of the camera and the audience's perception. Watching, this inconsistency will often appear later, as if watching a movie "double"...
Extended Reading
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Alfred Lubitsch: I said "okay." You do understand French?
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Angela: Oh, yes - "SHOOT THE PIANO PLAYER." Did you see the film? Aznavour's a genius.