A person is just one person to the world, but to some people the whole world

Alexandrine 2022-04-20 08:01:04

A certain person is just a person to the world, but to some people, the whole world

thinks that the monster that disturbed South Korea is Godzilla-level, who knows that it is only a Tyrannosaurus in Jurassic Park, and it is far less than a tyrannical monster. The dragon is cunning and ferocious, and the director is stingy to give close-up shots, no cruel and cunning eyes, no bloodthirsty savage face, no intimidating roar (presumably due to the limitation of stunt level and cost), in fact, this monster is just a The poor worms foraging by the Han River have limited destructive power.

But this does not prevent the film from telling the story of saving the little girl in a touching way. A dull father, a decadent uncle, an elderly grandfather, and a hesitant aunt, in the face of terrifying and terrifying monsters, they mustered infinite courage and a willingness to fight death. only because of their belief in saving the child's victory - to the world, she is just a small life, but to this ordinary or even a little degenerate little family, she is the whole world!

Against the background of the government's indifference to the news that the little girl was not killed, the actions of adults to save the child are increasingly lonely and tragic. When we condemned the government's indifference, we put ourselves in the shoes of ourselves at a time when everyone was in danger of deadly germ rumors. Would we doubt the remarks of this suspected germ carrier? Will they be indifferent to their requests? Will they panic about their escape and support the pursuit and interception at any cost?

A scene in the film: A group of people wearing masks are waiting by the roadside, one person coughs, and everyone avoids; spitting into the water, and then the water is splashed, everyone is afraid and can't escape... In Guangzhou, Beijing and other cities experienced the SARS period. Friends must be very familiar with such scenes and feel real. This is the society we live in in which everyone is self-threatening, indifferent and ruthless. The cherishing and respect of a life that has nothing to do with oneself is far less realistic and important than the panic of a deadly germ that threatens one's life. No one is more noble than anyone else, and no one is more qualified to criticize others than anyone else.

The government's indifference is the concentrated expression of the indifference of countless people.

The tragic loneliness of the family's rescue action makes the film more tense and appealing, and the film does not have the cruelty and indifference of escaping and whitewashing reality. It is also indispensable to honestly move our living environment into the film, which can resonate with the audience and give Viewers bring more thought. The irresponsible U.S. military, the college students who have difficulty finding jobs, the indifferent and pedantic government departments that control public opinion and fool the people, the corrupt civil servants, the gangsters who do everything for money, the clerks who betray their friends... When a family faces great difficulties, There is no savior who wears golden armor and steps on colorful clouds, and there is no one-hearted hatred of the enemy. Only those closest to him depend on each other, support each other, and advance and retreat together. This is the real world we live in, corrupt, depraved, cunning, selfish, and evil.

The film unreservedly exposes the ugly side of society, and forms a strong contrast with the perseverance and determination of this ordinary family member, which makes the characters of the story fuller and the theme of the story more prominent. The most terrifying monster is not the mutant species from the Han River, but the indifference in everyone's heart.

This successful film can only be born in other countries, not in our country, because such a script will be shot a hundred times if it is submitted for approval a hundred times. Look at the government in the film: inaction, bureaucracy, blockade of news, corruption... These are all contrary to the main theme, and they cannot express the spiritual and humanistic outlook of our socialist harmonious society at all.

If the Yangtze River version of the monster, first of all, this monster must be a hybrid of the sticky fish and the Baiji dolphin. Our government has been committed to environmental protection and has been very effective; when Dad received the call, our party and government cadres would immediately pay attention to it. Get up and hold an emergency meeting to analyze, arrange the most capable special forces elites to rescue, and swear before you go, swear to save people at all costs, what? Are you determined to participate as an uncle? How can you be unemployed in college? Should be a graduate of Peking University, or a party member! Well, join in!

What gangsters pick up and isolate patients, sell arms, ask for tips for passing checkpoints, and students demonstrate. These are all nonsense and all deleted. After a hard fight, many martyrs paid the price with their lives, and the monster forced to the shore, disregarding the safety of the students and spreading harmful substances? How can our government be so shameless? delete! At this time, a homeless person risked his life to pour gasoline on the monster. What, a homeless person? No, it has to be changed, at least this tramp has to be a party member! Well, the last Olympic ignition style archery ignition idea is very good, but it is best to highlight the identity of this aunt - a member of the Chinese archery delegation for the 08 Beijing Olympic Games. The sportswear you wear must have a lucky baby "Beijing welcomes you"!

In the end, of course, the little girl can't die, because so many have not been rescued, doesn't it seem that our party's work efficiency is not high? Gotta live! Great reunion, great harmony!

Well, the Chinese version of the monster will probably be like this, CHEN KAIGE'S FILM!

View more about The Host reviews

Extended Reading
  • Muhammad 2022-04-24 07:01:07

    The homeless who appeared mysteriously, the incendiary bombs and rockets of youth, are too romantic. No matter how pessimistic, look at their history, all struggles will not be in vain, and all sacrifices will be remembered. While watching it, what came to mind the most was not the local incident, but the 1992 Los Angeles defense. Whether it's a spectacle of a genre, or a sarcastic humor, it's all just skin, and bravery is the base color. At every fork in the trail, they took the exact opposite path from ours. It's not that we are bloodless, it's just not enough. A little more, a little more, will history be completely different?

  • Nigel 2022-04-20 08:01:04

    B+ / The metaphorical level of the overall play wants to rely on the memory of murder, but the political and class satire of the helpless and exposed and the excellent depiction of the bottom group portraits comparable to mothers are not as good as Yuzi. Combined with a very stereotypical Korean performance and sensational mode, the first hour or so was a disaster. However, the super five-star control of the third act saved the whole film. The rhythm of several darkest moments and the smooth editing of the camera made me faint... / Second brush: The first time was too metaphorical and straightforward, and all kinds of criticism were trivial ; It's much more interesting to watch Bong Joon-ho manipulate these "straight" tones and make them muddled for the second time. There seems to be the same exploration of language and character state interaction as in Parasite, as well as the leaping assembly of multiple implicit time and space levels (not yet mature). The hesitant arrow on the TV screen finally hit the monster with precision, but who did the Molotov cocktail hit?

The Host quotes

  • [Nam-il has been watching Gang-du jogging in the disinfectant truck's fumes behind them as they steadily drive along]

    Park Nam-il: [to Hie-bong] Why does he have to do that? He's not a little kid.

    Park Hie-bong: Let him be. He wants to disinfect himself. He's worried he'll pass the virus onto Hyun-seo.

  • [the Park siblings are watching a report about them on a TV. One nurse being interviewed has had her voice sped up and her face concealed to protect her identity]

    Korean nurse on TV: The blond one, who made direct contact with it. He's the stupidest of all.

    Park Nam-il: That bitch. Listen to the mouth on her.

    Korean nurse on TV: He pounced on me and slammed me to the floor. I think he gave me arthritis. That's what he's like.

    Park Nam-il: I know who she is. Like we can't recognize her through that voice-disguiser?