The film is very tight, and the rhythm makes it very sexy. In contrast, some of these shots, despite their larger scales, are barely erotic, direct and crisp. Although I don't know anything about the director, it is not difficult to see that he is quite famous in Spain after watching various versions of the movie trailers (maybe I should check it out first~), after watching the film, I feel that the director is very confident, and he is very confident about every minute The grasp is uncompromising, and the capture of color and light and shadow is easy to grasp. What I feel when the camera is on an adult Enrique is, beauty.
With the subtitles at the end of the film, Enrique continues to make the film with passion. His obsession with movies is the release of his destiny, as well as the release of Ignacio's destiny, maybe even a group of wounded people of that era are standing behind him.
Passion, against the fate.
Loved Enrique's house very much, the blocky bright colors, the orange in the suits, the drunken crowd.
I was very fascinated by the singing of the young Ignacio, like revisiting "Spring in the Cow Herding Class", but the singing here is bloody sweet and the devil's entanglement, the same clear and tactful, but it has become a kind of sin.
I suddenly recalled the expression that the perverted old man used to have when he was a priest. His eyes were wide open, a little scared and a little crazy, his throat was shaking, because of lust or self-loathing, his expression was stiff and he seemed to be suffering from considerable depression and pain. And when Juan and the perverted old man re-entered his life and continued the story of the past years, the expression on Enrique's face was so similar to me, of course, it should be a completely different inner feeling, but why would it give people produce overlapping effects?
—— I wrote it last year, but I don’t know much about it, so I’d better watch other people’s first eight. . .
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