To wait or not to wait, that is the question.

Conrad 2022-03-21 09:01:45

I've seen both versions of Untouchable Lovers.
It's a ghost story, to be sure.
But because the atmosphere of love is relatively strong, we call it a fantasy movie.

The theme is simple, men and women who are waiting and waiting for love.

The relationship between the two went wrong for two years.
Why wait? Wait or don't wait? Why should the other party wait?
The male protagonist is a very deep man, and the female protagonist is intellectual enough. The two of them were simply fed up. How can you fall in love without knowing anyone. Just write and write letters to be able to live and die in love? Whoever believes there is a problem.
Oh yes, fantasy movies, no one would have you believe it.

Let's talk about waiting.
I waited for a man for 10 years, and the man said he had no feelings for me. A lot of the things I said before the relationship were to tease me.
The man didn't let his ex-girlfriend wait for him and lied to her that he already had a new girlfriend. But when he came back, he found that he was married and regretted it. I hope people get divorced and go with him.
I waited and ended up getting nowhere in my love life.
The girl didn't wait, and she lost her true love as a result.
The man didn't let people wait, and he regretted it.
Then tell me, how can we all be happy.

Keanu is old.

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Extended Reading
  • Nina 2021-11-19 08:01:28

    Once you think about the problem of time travel, it is easy to fall into a logical infinite loop!

  • Miller 2021-11-19 08:01:28

    It’s a pity that the time traveler’s wife couldn’t take such a great photo.

The Lake House quotes

  • Simon Wyler: Where's your brother?

    Alex: I sent him away. He wasn't feeling well. You know how he is, he worries.

    Simon Wyler: Yeah, I know. He gets that from your mother, I'm afraid. She always worried too much.

    Alex: What are you looking at?

    [looking at architectural plans]

    Simon Wyler: Hmm? Oh, yeah, here, take a gander. It's a proposal for a museum.

    Alex: Who is it?

    Simon Wyler: Someone new.

    Alex: Oh, I like the walkways, where the light falls. What are the materials?

    Simon Wyler: Granite. Aluminum.

    Alex: White panels are straight out of Meier... but the interior color coming through the front windows, that's different. It's not new, but it's clean, uncluttered. I like it.

    Simon Wyler: When was the last time you were in Barcelona?

    Alex: Years ago, with you, Mom and Henry.

    Simon Wyler: Do you remember visiting Casa de la Caritat?

    Alex: The almshouse.

    Simon Wyler: That's right. You mentioned Meier. His Barcelona museum stands in the same area as Casa de la Caritat. It drinks the same light. Meier designed a series of louvered skylights to capture that light and cast it inward to illuminate the art within, but indirectly. And, that was important, because although light enhances art, it can also degrade it. But, you know all that already, you son of a gun. Now, this... where do you suppose this is to be built?

    Alex: I have no idea.

    Simon Wyler: Oh, but you said you liked it.

    Alex: Conceptually.

    Simon Wyler: Now, come on. You know as well as I do that the light in Barcelona is quite different from the light in Tokyo. And, the light in Tokyo is different from that in Prague. A truly great structure, one that is meant to stand the tests of time never disregards its environment. A serious architect takes that into account. He knows that if he wants presence, he must consult with nature. He must be captivated by the light. Always the light. Always.

  • Alex: There should be a stairway down to the water, a porch, a deck. Here, you're in a - in a box. A glass box with a view to everything that's around you... but you can't touch it. No interconnection between you and what you're looking at.

    Henry Wyler: I don't know, you know. He's got this big maple growing right in the middle of the house.

    Alex: Containment.

    [He pushes a button which opens a glass door]

    Alex: Containment and control. This house is about ownership, not connection. I mean, it's beautiful. Seductive, even. But, it's incomplete.

    [He pauses]

    Alex: It was all about him. Dad knew how to build a house, not a home. But you know... I think he wants us to do what he couldn't. But, admitting that would mean admitting that he came up short in some way... that he could do more. And that tortures him.

    Henry Wyler: Do you remembering being here with Mom?

    Alex: I remember she tried to make it work here... with us... with him.