Green Lantern Ryan Reynolds and Black Widow Scarlett Johansson officially announced their breakup this month. In this way, the black widow is one step closer to the "widow". Although we know that the Green Lantern has not yet received the lunch in his story, we can't predict whether the Green Lantern Reynolds will be in with Zeng next year. It was Chris Evans, who appeared in the thunderbolt incarnation as Captain America, and Thor Chris Hemsworth, the god of thunder, who had already made his face in Iron Man, lost the battle. I hope that the superhero that Xie Er's classmate admires most can make a big splash in 2011.
I first met Ryan Reynolds as Deadpool in [Wolverine]. In the film, the character who seemed to be babbled was finally sewed on the mouth and became a super-powerful beast unable to speak. Hugh Jackman, no matter how wildly you show off Wolverine’s steel claws, you can’t keep up with Deadpool, who has a cream face, and is so cute. In this way, Reynolds succeeded in stealing the protagonist’s limelight in Wolverine’s own story. Become the most present character. No, [Deadpool]'s personal show has already been on the agenda.
After [Wolverine], Reynolds was the first film that entered the audience's field of vision completely. Reynolds played the role of campus heartthrob Van Wilde in the film. Sure enough, the handsome boy has a lot of youth film resumes. ...Continue to flip through the resume, it turned out that one of the members of the trio in [Blade Warrior 3] was Reynolds. [Nine Degrees of Space], [Chaos Science] These films have proved that the handsome boy can alone take the lead. Last year, after going through the process of going from rejoicing friends to destined couples with Aunt Sandra Bullock, I added [Paper Man] and "Superhero Addiction" and the small fights in [Adventure Park], ushering in this year’s This one-man show [buried alive]. (We can think of it as a perfect warm-up for [Green Lantern].) The
audience will say that [Buried Alive] is very convenient, because in addition to a few wooden boards, the BlackBerry ZIPPO knife, light stick, flashlight, wine can and other props are thrown in. Then I smear Reynolds in blood and mud, and lie down with a sullen head, and I can start shooting-oh, I have to catch a snake.
In fact, it's not always true. Director Rodriguez Cortez let a few wooden boards give full play to its highest ability to create a claustrophobic environment, so that those props can be used to the maximum in the story.
There is an unrealistic representation of the wooden board in the film-the camera is pulled up, but the wooden boards on the protagonist's walls extend indefinitely in the dark, as if there is no end. The narrowness of space at this time is in principle broken by the "infinite height", but in reality it has been deepened even more narrowly while highlighting the protagonist's sense of helplessness. This kind of cleverness is not something that can be handled at will.
The use of props-Blackberry's super standby time, ZIPPO's super long burning time, different damage to the two light sticks, alcohol and lighter combined to drive snakes, etc., as well as the coffin wood board that is part of the props is always advancing The plot advances. This is about the clever script. I have to mention the third person-screenwriter Chris Spalin. We can’t say whether this man has seen [Kill Bill], and we don’t know if this man knows that there is a man named Baimei in the world. The Taoist master’s skill is called "Five Thunders Through the Palm of the Heart", but such a screenwriter who understands the psychological trends of the audience is praiseworthy.
To be honest, no matter how good the script of the screenwriter is, the whole story is also moving towards my personal predictions. Perhaps for most of the viewers who are already familiar with the vulgar flipping tricks, the several flips in the film and the end of the film are not a big deal, but the freshness of the film will not be weakened by this.
The second person Rodriguez Cortez, this is a feature film he directed. The Spaniard was so excited after watching Reynolds's [Nine Degrees of Space], he immediately contacted Reynolds, but the two of them quickly Co-production has given birth to such a creative film that takes a small fight to a big one.
Can’t help but wonder, how can Spanish directors have so many terrible imaginations, which are still suffocated and distorted-[Pan’s Labyrinth] describes the power of war and fantasy and has won countless praises (Mexican Gilmour) The Spanish technique of "Death Video" is revealed), the remake of [Death Video] and the series are on the top, [Lingyi Orphanage] is over-interpreted and the director laughs secretly, [Maoshima Lost] uses a thrilling atmosphere to smash mother's love...( The examples here are all horror/horror movies in recent years. Naturally, those old classics that cannot be forgotten need not be said.)
Perhaps we should give Spanish directors more expectations.
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