Love is the process of gradual integration of two people

Bailee 2021-11-17 08:01:27

After listening to the recommendation of the goddess Guo Caijie, I found this film. At the beginning, the music, background, and cringing character of the whole film made him feel embarrassed and overwhelmed everywhere. I automatically caught him several three-bedrooms and one-rooms. He said that he always wanted to cry for no reason. Several older sisters spoke in turn. He was not given a chance to speak and no one was willing to listen to him carefully, so he always smashed objects secretly to injure himself after enduring it. He vented until he met the heroine, she was willing to communicate with him, communicate alone, understand some of his thoughts and points, and the hero gradually said all the things in his heart because of the love and strength in his heart, and did not choose to avoid the problem. Combining the selection of essays recommended by Guo Caijie and a short essay by Shi Tiesheng, I can suddenly understand the artistic conception of this film. He didn't know me, even though he passed by on the road, so he assured his thoughts and actual practices. Actually, I'm a bad person. I don't know, all I know is that I keep looking for someone like you again? What do you do with someone like me? Find him and marry him. Then they met, feeling that the end of love is a natural fit, combining all the past experiences, and gradually fit into the process of integration.

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Extended Reading
  • Elwyn 2022-03-26 09:01:04

    No matter how eccentric and irritable as the old mother-in-law's scolding, it will be sweet! This is a movie made when pta was the same age as me! The whole film is already full of craftsmanship. The male protagonist is as strange and abrupt as the bgm who stalks in from time to time. It is obviously a love comedy with a super small format and a super vulgar story. Kubrick was shot in real life. I have to say he is really A natural master, walking on the road of conferring gods is admirable.

  • Elwyn 2022-03-26 09:01:04

    "Love Disorder" is the other side of phone porn in "Silver, Sex, Men and Women". In this bizarre postmodern American life, the old-fashioned telephone/mobile phone of the early 21st century constitutes a torn space of reality, similar to Badiou's concept of eroticism = self-control. PTA places emotion on the precipice of electronic signals. However, the dimensionality reduction attack on romantic love sketches is only an appearance. The deep truth is this: "Love Dissonance" has a post-Fordist acceleration through PTA's steady, classical movement. Adam Sandler's Barry is a mix of ADHD and bipolar disorder (a hallmark of late capitalism), and aurora and halo are a split subjective experience. The continuous intrusion of emergencies and pudding = flight miles (pseudo-displacement of the contemporary middle-class group) broke the traditional factory production method. Just as in its future "There Will Be Blood" retelling the industrial revolution with a capital/religious duo battle, in "Private", the essence of the character relationship is a perverted flow of information, which fills up the never-before-seen , Post-Fordist cybernetics-labor.

Punch-Drunk Love quotes

  • Barry: I'm guessing it was a mistake... but... I'm taking advantage of it while it's offered. Who knows how long it'll last...

    [once]

    Barry: too many people start doing it...

  • Barry: I'm lookin' at your face and I just wanna smash it. I just wanna fuckin' smash it with a sledgehammer and squeeze it. You're so pretty.

    Lena: I want to chew your face, and I want to scoop out your eyes and I want to eat them and chew them and suck on them.

    [pause]

    Barry: OK. This is funny. This is nice.