There have been a lot of Chinese historical films in recent years, and they are almost impeccable in terms of sound and picture effects. The most criticized and questioned is the script. History can be grand, but fascinating historical stories are full of details. But China is neither short of historical novels nor TV dramas adapted from historical novels, but why have these literary works failed to regain their glory in the film industry? Investigating the reason, the author believes that my country's historical literature creation has gone to two extremes: one is the serious works of the middle-aged generation who have learned something, the other is the historical fantasy novels mainly based on the "post-80s", One type of works has no depth; in the middle of the two ends, there are martial arts and fantasy works of alternate history, which no longer belong to the category of historical literature.
It is said that the author of the original "Alazist" got the idea to write when he saw her daughter's history textbook, because the junior high school textbook had only one page of the Spanish "Golden Age". But the key point is that the foreign film market is far more free than the domestic market. As long as fantasy works and historical works have a market, funds can come in continuously: funds do not judge whether the cultural consumer goods it supports contain a kind of "Tao".
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