die The mainland translation of "Top Gun", the Taiwan translation of "Defending the Warrior"; the mainland translation of "How to Get Away", the Taiwan translation of "The Confrontation of Gods and Ghosts"; the mainland translation of "Deviated Pursuit", and the Taiwan translation of "Jedi Dragon". BLABLABLA, and more. If you compare a lot, you will find that it is quite nerve-racking to go left or right. For example, two brothers in Dangyang Street scolded the street. Family property”, the vast land and resources are also a kind of pain.
If the mainland's translation is realistic and graceful, the Taiwanese translation is definitely a surreal Fauvism. In short, the Taiwan version of the translation must be just as fast as the tongue. Another example, "The Shawshank Redemption", the Taiwan version translated as "Stimulus 1995". A story about an old man who digs a hole to escape from a prison without an out-of-print buster has something to do with fucking "stimulus".
It is like "Continuing Scared", the Taiwanese translation of "Deadly Gunfire", formerly known as "Running Scared". In fact, what I want to say is that A, B, and C are not passers-by, passers-by are rotten cubs, who can turn fcuk into gorgeous swear words after complex calculus and permutations and combinations without losing their character. It directly led me to make an assertion and translate it into "everyfcukingwhere".
Directly leading to my first word of waking up every day that followed was fcuk and complacent about it. Because a chick once said to me that the first thing a man says when he wakes up must be his native language.
fcuk is like a machine gun, "continued panic" is the first. Paul Walker is like a road mad dog whose thinking function has degenerated to only violent tendencies. Whether it is his wife, children, or even his gang boss, fcuk has no mercy. All of this starts with a lost revolver point 38. The whole pointless "Dog Haven".
But don't compare "Looking for a Gun" with "Continuing Panic", the former is a suburban ballad about the confusion of a middle-aged man's boudoir, while the latter is speed metal with order elsewhere and CAO eggs on the road. One is because so then, the content determines the form, know the beginning and guess the end; one is because then... I lost, the form is porker and Princess Mary, the content is sorry, I'm a policeman.
Many Hollywood movies are neither necessary nor worthy of scrutiny. Most of the time, it is just a commercial movie. It is impossible for a handsome man and a woman to shoot a literary and artistic film with a proud figure and a well-behaved face. Dedication is not flattering. Hollywood style, it is the patent of the self-proclaimed romantic French and Italian.
In fact, "Continuous Horror" is definitely a good movie except for the last second. If "Crazy Stone" is Beckham + Zidane + Ronaldo = Shao Jiayi + Zheng Zhi + Zhongru Qunying = Northeast Stew, then "Continuous Panic" is "Dog Men and Women" + "A History of Violence" + " Sutton Sea" = Mary Ann Manson + Ruffian Eminem + Jeff Buckley = Buddha Jumps Over the Wall.
By the way, technically speaking, even if you could deconstruct "Crazy Stone" with an A+B+C false orgasm, it's still a ton of indigestible vomit. If you force British rock to have a relationship with China, it can only be like the lead singer of the Bachelor Band many years ago, who sings beyond in Nanning vernacular.
What I'm trying to say is that it's pretty nondescript to ride on the wall of ideals and reality and use hazy sentimentality to fool people. "Cool" is to pretend to be X, and cool play is to be X. Paul Walker is definitely a hardcore cool guy, but look at his role as a cream-making guide in Fast Furious, Treasure Hunt, and Antarctica. Until "Continuous Panic", the transition from creamy hardcore to bloodthirsty hardcore was finally completed.
Of course, such a hardcore is always a niche, not a celebrity, nor does it have to be a celebrity. The famous characters are Arnold, Stallone, and Steven Seagal's muscle game, which is earned by eating only young beef tendon meat for most of his life, which is very unfeeling and out of the crowd. Xiaosheng is a petty bourgeoisie with a dirty export. He is slender, and he can always shoot his head with a gun.
The reason for mentioning "The History of Violence" is because in the film, Paul Walker's wife, a kind, gentle and clean-speaking child, can also be furious and shoot a couple of perverted child abusers. A scene that makes people sweat. Murder is irrelevant, I can't help but sigh, women are not fair.
Woman, be a talented bitch if you want to.
Until the last second, the film is bloody and makes one want to spray liquid, I mean tears. The gangster Xiaojiao turned out to be a policeman too, but he also died at the hands of the pimp. This should be a sad ending like the New Orleans acid jazz, and dying in a haggard accident is the best tribute to heroism.
Unfortunately, at the last second, he came back to life. When the sadness was about to spray liquid, it was already a family bliss. It's like playing with a beauty for a long time, and finally lifts up her skirt in lust, only to find out that this is a shemale, and then, the egg hurts.
Yves Saint Laurent, the big show man in the fashion industry, said, it's the best or the worst, and the middle is stinky shit.
Live or die, salted fish is born to "lose that star"!
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