The dark heroine of this century said that when I had you in my life, did Simone in the last century regret the backdoor relationship that never ended? The answer is not found. However, it is certain that there is me and you in the two of you, and you no longer rely on ear to eye to explain, and the personal experience is more delicate. The only difference is that there is a shift in the body of the gender, and it is said that the essence of love is not above the material, love always needs to be said, love is really a feeling.
The most profound scene, the heroine knew that he was finally leaving, and joked with her friends whether to put raisins or almonds on the cake. A friend said to have both. silence. He threw down his scarf and ran into the street, only to see the rear of the car leaving. The only thing left is to miss this look. This is another beautiful picture in the heart of Simone when he kills and escapes leaving a bloody palm print.
I don't know why, but when I watched this play, I had a Tanya Tsai-esque sense of music, and all I could think of was: bottomless pit, Tsai's opening style was pulled away and the ending song of the play had a sense of connection.
I don't know where the heroine's last line got there, but I believe that that one smile already contained that distant him.
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