Last year I was super obsessed with Nordic films, especially Danish films. Danish short films used to be very NB, the short film awards at top film festivals like Shaina and Oscar are almost always swept away by the student assignments in this country, I have seen a collection of Danish short films and was a student at the same school Graduation portfolio, I am amazed to see it. In terms of production level, it is completely at the level of half a blockbuster. Each short film is making some kind of attempt with a clear purpose and a distinct style, which makes me envious, no matter what the content of the attempt is. Does it make sense? Even in our country, the cost of those short films is at least 3 million yuan each, which I envy even more. Denmark recently released a female director who has made several good films, which are approachable, vivid and thought-provoking. I have seen two of them, one is "Brother" and the other is "Love Rush", I like it very much. Norway, Finland and the Netherlands also have good films recently. These countries have no so-called long film traditions, no shadows of masters, no constraints and stereotypes, no doctrines and genres, so there are humanistic films that go beyond genre films and art films. . There is a film master in northern Europe, that is, Bergman of Sweden. His films are famous for depicting the subtle psychological fluctuations in the characters, the stream of consciousness structure of the narrative and the poetic film language style. I used to be very resistant to this director's films, and I fell asleep when I saw it, until one day, a friend of mine told me Describing how he felt when he saw Bergman, I remember he said at the time, "It's like listening carefully to the faint music coming from far away in the dark night" - he described the sound quality of that kind of music in detail, saying that it was "A plucked instrument solo", sometimes soothing, sometimes anxious, sometimes psychedelic, and sometimes stagnant, looming and weeping. Then I tried to keep reading, which was really interesting. So I think it is because Sweden has masters that their contemporary films lack a certain sharpness. This is the first Icelandic movie I've seen. It was Christmas and it hadn't started snowing in Beijing yet. I escaped from a liquor store, turned off the phone and hid in my room. This movie is full of whiteness. The snow scene, let me watch the TV through a white X'mas. In all fairness, the movie is good, as far as the movie itself goes. But the appearance of the heroine is beyond my aesthetic scope, so it is difficult to empathize with it. There is often a phenomenon of "distancing", which is difficult to enter the play, and in this movie, what the director wants the audience to believe is that this woman's When charm is the motivation of all characters, I just have a hard time accepting it, sorry. It was cold in my room, which was one of the reasons I was uncomfortable watching it, because Reykjavík was beautiful, but it was probably cold, so the characters in the film, men and women, were always drinking hard liquor, I think summer Take it out and take a look when it gets too hot.
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