Nothing else, Ray was in a mess.
The only fragment of a few seconds that made me laugh and cry in the darkness of the Kunming cinema for a long time:
the warlord was stuck in a gear.
The female agent grabbed him and wanted to pull him out.
It was a character who had scars on her face but was very consistent with our imaginary image of a glamorous female agent since childhood-I just knew it was Meng Guangmei, no wonder he was so familiar-it was obvious that she liked and admired him, and he knew it, but They have what they think is a great mission to accomplish.
He knew he couldn't escape, and said, let go, let go.
Her lines are very simple, say, don't let go, don't let go.
Then, they were directly involved in the gear together.
Just like that, they died together.
There is no such thing as Party A holding Party B, shouting and shaking for five minutes and then slowly looking at the other side's dead bridge.
It is supposed to be very relieved. The bad guys were finally wiped out.
But my heart was touched by that plot.
The cumbersome layout of the whole film seems to be a contrast.
The affection between them, without any extra plot or words, is neat and tidy.
The triad boss also has elementary school classmates.
The warlord leader also has the affection for life and death.
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