"Eraser Head": A Metaphor of Pessimistic Life

Arielle 2022-03-20 09:01:45

Some critics regarded the film as the best debut since Citizen Kane, Kubrick listed it as a favorite, and Lynch turned back and said that it was perfect.
It took him five years before and after to complete the film, and in the beginning he scoured the trash can for the film to make a living by sending the Wall Street Journal. In those five years, his wife divorced him, the original photographer was busy with other work, and these and other problems. Perhaps the starting point of every independent filmmaker is not simple, but Lynch has experienced many difficulties and efforts than others.
My keyword: disgusting! Nausea! Nausea! Black, dirty, deformed, perverted, chaotic, hopeless, yet symbolic, metaphorical, surreal, imaginative.
The dialogue is almost simplified to nothing, long shots, fixed shots, depression angles, black and white images, black tones, swaying light to express the heart of the characters, ubiquitous metaphors and symbols.
David Lynch must be the most pessimistic person in the world about marriage. It's a pity that his first wife died early and couldn't prove anything, but he actually showed marriage in life like this in the movie: a good person who can withstand temptation , had a girlfriend with tics, she had a mother who was also sick, the mother molested him on the first meeting, a weird father, who made chicken blood (pus and blood at all), a vegetative His grandmother, they gave birth to a deformed child after their marriage, and his wife ran away from home because he couldn't bear it. He finally dismembered his own flesh and blood, and then ascended to heaven, hugging the woman with a face full of pustules that he had always fantasized about.

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Extended Reading
  • Kameron 2022-03-26 09:01:05

    Lynch is a strange flower. A normal person said that except for "The Elephant Man", everything else except hypnosis is vomiting.

  • Alexis 2022-03-24 09:01:52

    #North Film FestivalRewatch# A slow-paced, experimental black-and-white film that blends real people and parts of stop-motion. The characters in it live in a surreal world with its own rules. Throughout the film, Lynch makes extensive use of one of his most disturbing cinematic hallmarks: the humming nightmarish ambient noise. At 06:29, the psychological space and the real space are seamlessly connected. At 15:51, Tongjang made a transition. 22:41, the absurdity of the space environment, the absurdity of character behavior, the absurdity of objects and objects, and even the absurdity of dogs. 46:28, the absurd focus is placed on the little monster, and the technique is extremely exaggerated. 1:00:07, the fundamentals of reality are actually very clear, and artistic techniques such as metaphor and exaggeration support the masterpiece. 1:13:03, it dawned on me, Eraserhead.

Eraserhead quotes

  • The Boss: OK, PAUL!

  • Mr. X: This dinner's getting mighty cold.