hot summer night

Delia 2022-03-20 09:01:57


1967 film, 5 Oscars. As a mystery, I really don't think it's strong enough. There is a snack shop owner at the beginning of the film, using close-up or close-up shots, and then he doesn't appear again - what does it mean? It means he is the murderer! I saw it in ten minutes. It's strange that many film critics actually said that the ending was too unexpected or something.

But aside from that aspect, it's a really good movie. Recently, I often lament how people have made so many good films so early. Every scene is full of tension and energy, all kinds of subtle situations. The one that struck me the most:

the rude treatment of a black detective from Philadelphia in a mid-'60s southern town (where racism was still rampant), the white sheriff who had been trying to drive him away at the request of the victim's widow Had to come and get the black police officer to stay and help. At the train station, he first grumbled with a shy face, and the black police officer said no; he was helpless and a little angry: Do you want me to beg you? The black police officer still refused. To be honest, I can guess the killer at 10 minutes, but I can't guess here how he's going to convince him to stay. In the end, this man really had a trick. After thinking about it for a while, he leaned into the black police officer's ear and said, "You black guy is so fucking smart, you're so smart that when you step in, all of us white people look like It's stupid, you can't live without it, so I don't think you'd pass up such an opportunity!

Then he walked away with his hands behind his back. The black police officer walked for two steps, helplessly lifted his suitcase, and followed him out.

The film was highly praised at the time as a watershed work in liberal advocacy for racial integration, beating out "The Graduate" and "Bonnie & Clyde" for best picture that year. Among the two protagonists, one black and one white, the actor who played the white police officer won the Best Actor Award, but the black actor was not even nominated. Many people are upset by this, believing it to be the result of racism. But I think the one who played the white cop did a lot better than the black cop, even though the black cop was much more handsome :P

As an aside, look at the candidate films to see the development of the film industry in a place. Oscars: The Graduate, Bonnie & Clyde, In the Heat of the Night! ! ! Let's take a look at what movies are nominated for this year's Hong Kong Film Awards. Of course, I won't talk about things like Golden Rooster and Hundred Flowers.



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Extended Reading
  • Ilene 2021-12-31 08:01:57

    If you look carefully, you will realize in the first minute that there will be a murder and the director has already hinted who the murderer is. The suspense is not in solving the case, but in solving the case. The lines are designed to explode these race cards that want to win prizes. I don't believe that the end of "Training Day" did not get inspiration from the end of the film.

  • Miles 2022-04-20 09:01:48

    The movie I've been thinking about when I read the Green Book... and the highly-liked joke about petitioning in Beijing, the standard action is to buy you a flight ticket back home and send it to the airport 3-5 meters away. The conventional treatment is to take Maotai and Haoyan and beg you to go to the famous scenic spots in China for free. Of course, this is like pyramid selling, and the methods of the north and the south are still different.

In the Heat of the Night quotes

  • Gillespie: Now, look. I got no wife. I got no kids. Boy, I got a town that don't want me. And I got an air conditioner that I have to oil myself, and a desk with a busted leg. And on top of that, I got this, uh... place. Now, don't you think that'd drive a man to takin' a few drinks? I'll tell you a secret. Nobody comes here. Never.

  • [after Virgil Tibb's famous "They call me Mister Tibbs," and Chief Gillespie loudly berates him, telling him to take the evidence away. Only for Virgil Tibbs to coldly say that he will personally send the evidence to the FBI labs. Mrs. Colbert has just witnessed all of this and is shocked and appalled by Gillespie's attitude]

    Mrs. Leslie Colbert: My God... *What* kind of people are you? What kind of *place* is this?

    [louder and firmer]

    Mrs. Leslie Colbert: My husband is dead. Someone is this town KILLED HIM!

    [looks directly at Gillespie; angrily]

    Mrs. Leslie Colbert: I want you to find out *WHO*!