The friend is dead, and even with that much money, there is no reason to spend it, so she has to think about what to do with the stack of banknotes under the drawer;
before Rong Sheng told Ruzhen a lot about those whore clients, she turned out to be extremely resistant. , maybe knowing the clients is equivalent to "realizing" the depravity; but when she paid the clients back in this way, she was able to approach each of them a little bit more.
The most profound is that bastard "musician"!
What music, disgusting bastard under the guise of music! Of course, there's a bit of a personal touch here too.
Why is Zarong willing to choose death rather than being arrested?
And why did the man who was found prostitutes commit suicide?
And the person who was stoned to death after visiting a prostitute;
I don't understand why everyone chooses to die (or kill), in fact, I don't think it's handled well, because "death" is not that simple.
Among them, only Zai Rong Jumping from the Building is more convincing,
because she is still young and does not understand how heavy the decision to "die" is.
Except for the "composer" super beast, everyone is also a person of temperament;
originally, not many people in this world are bad people, and good and evil have never been binary.
Ruzhen dragged the beast to the hospital and saw that when Zai Rong was dead, tears rolled down Rong's face, the scene was very tense.
That dad killing his client was a bit too violent, and if he tried to understand his daughter and didn't "one-way" love her, the whole thing wouldn't have ended tragically.
And that dream, in fact, Ruzhen's reluctance to pick up customers has accumulated a lot of pressure, and she would rather her father kill her, that dream is very moving.
The two girls are also very beautiful, but it's just not like the first one.
2005-6-28
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