everyone is looking for

Madonna 2022-03-21 09:01:55

#Film Archive# Wenders found his place in road films. Psychological scene design: The arrangement of some scenes is based on psychological changes. The truth of art is the truth of thought! (Double shot of two figures stacked on the glass) 31:39, the timing of the music. At 36:30, the camera rises, the reflector. 37:53, leaving room for the lens to the left and right. 1:36:36, it's still a little early to turn around. 01:39:53, a mirror that one can see and one cannot see. 01:44:19, the man's state is right. 01:59:00, treatment of the historical part. Also let the girl know who is on the other end of the phone. 02:02:59 Pointing out the trailer house is a big failure! At 02:05:17, the girl's state came out. (The storytelling skills throughout the article are very high!) 02:07:35, the sudden turn is excellent! 02:10:52, the glass is penetrated, the barrier is penetrated. 02:20:58 It is a good example of how to handle the mother-son recognizing drama without going too far.

Amelia 2022-03-27 09:01:06

During the Q&A session, an audience member asked if the film was influenced by The Thief Family (…). For this film, Wenders does not think that he was influenced by other directors, because what he wants to create is something that has not been found in the history of film. Even Antonioni, he just said, is his idol, but the movie doesn't learn from him. The only thing he admitted, and voluntarily revealed, was that his portrayal of family relationships was heavily influenced by Ozu. (19.5.17 Archives)