When the movie starts, the couple on my left immediately shows their hideous fangs. To be honest, I often see chats in movie theaters, and this is the first time I have seen movie theaters chatting with others. While the man sitting next to me replied a few words from time to time, he kept turning his head to talk to his girlfriend next to him, which made my left ear buzz without stopping, so annoyed I had to turn my head to the other side. Sitting on the right is a girl who accompanies her best friend to watch a movie. I am secretly delighted. I must know the rules of watching movies at such an age. Well, aside from constantly turning on the phone to chat, she didn't do anything out of the ordinary. It's been ten minutes since the movie started, and I haven't even gotten into the plot yet. I'm wondering if this is an issue with the cinema or is it purely an issue with the movie itself. I don't know, but for ten minutes, I was on pins and needles. A male high school student who ran away from home, came to Tokyo alone, and failed to find a job again and again. I tried to put myself into the perspective of the male protagonist. In the light rain in Tokyo, I saw Haruna handing out the only warm burger in the predicament. If the girl next to her was not in this scene, she covered her face inexplicably and looked shy, causing a burst of pain in my testicles, this episode should have touched me. I say should. The couple on the left left, and if it weren't for the fact that they were in the movie theater, I would have applauded them on the spot. Ten minutes into the show, and I left halfway through, so damn right, I can finally watch the movie. With this thought in mind, I was able to seriously watch the next plot where the two cooperate to help earn extra money. What surprised me the most about this episode is that Haruna's surreal identity doesn't need to be concealed from the world, she just tells others about it casually, and even broadcasts the news live. And moreover, is society just accepting it so naturally? In a place like Japan that is rich in middle school, the acceptance of superpowers is also quite high. Ah. This plot is used as a foreshadowing before the climax of the movie. The most important role is to show everyone the daily life of the couple when they get along with each other, and to portray the pure feelings of the two people's mutual affection. Makoto Shinkai's routine tells me that the two of them will definitely fall in love, and his films always focus on love as the main background. But in this point of the plot, Hodaka has been taken care of by Hina as a big sister, which made me start to think about the charm of this male high school student who shoots casually as if he is brain-dead, which can attract Hina. Well, I can't think of it. In this state of being confused and trying to think about it, I saw a plot where the three of them started wandering because they were chased by the police. By the way, why are they wandering? Oh, so Hodaka had a gun, so he was chased by the police. Obviously, when Makoto Shinkai added realistic elements such as "police" and "gangster organization" to the plot, he did not want to add a sense of reality to the society of the movie, but purely to make them jump out and promote the plot. So we will be embarrassed to find that whether it is the existence of guns or the existence of the police, they are so empty and without any logical support, which makes people look confused: "Oh? How did this come from?" Oh? Then why?" Stop, don't think about it, it's useless. Because Xin Haicheng didn't plan to talk about it, he just wanted to add some waves to this love, and try to warm up the two of them as much as possible. Sitting in the movie theater and seeing this, I still have a big question mark in my head - you say, fuck, fuck, why do these two fall in love? How the hell can I not understand this kind of love? I'm a mortal again. Look, from the time the two of them met until Hina took off her clothes and Hogao burst into tears, what did the two of them do? One praying and the other with an umbrella? I think you are greedy for your body, listen to me, I am more mature than that middle schooler, so why don't you leave that body to me. This emotional heating up process made me feel confused. From the beginning to the end, I only saw the male protagonist secretly like Hina like looking up at a goddess, but in a blink of an eye they started to tear off their clothes. It's good, it's good, just think that love always falls from the sky like this, then look down, it should be a big climax next. After the beautiful rain scene, a heavy snow covered all the noise, and after all the beauty was quiet, the cold came - the police took Hodaka away and told him the fact that Hina was fifteen years old. Damn, this beautiful description of mine is actually just to tell you, this paragraph is nothing but aesthetic. There's nothing left, except inexplicable which is inexplicable. Inexplicably Hina chose to sacrifice and disappeared, inexplicably Hodaka refused to accept the investigation, and inexplicably he began to run wildly on the rails. Ah, ah, I saw this section, I am just going to die in the seat in the cinema. Such a beautiful music, such a beautiful picture, and even some epic plot to save my beloved girl along the track, how can it make me so embarrassed. This section was arranged for a long time. After my heart was touched at first, my emotions cooled down, and there was only one question left in my mind: this man is running too slowly. Yes, that's the feeling, the long and provocative roar of the background sound made me restless. The out-of-control rhythm and the misuse of the camera made this episode, which should have been a small climax, become a tasteless existence. This is enough bullshit, but it's not enough. I never imagined that the next plot would actually make me more painful than just now. That's right, the second store manager boy in the middle school is not willing to let you go, the police man, and there is no role for another police man to appear in turn, which is bound to make this plot reach the peak of the cliché. Hey, look, the manager of the second store in the middle school temporarily changed his mind to help, and the super useful younger brother man was born. The way to solve the problem is so cliché, that I don't even have the mood to complain about Fangao's move to point a gun at these people. Then we can see Hodaka roaring and running upstairs, roaring to hold Hina, and roaring to turn Tokyo into a water city. No, do you have to, do you have to shout out everything? Teenagers have to roar to look juvenile? The "Youth of You" next door didn't have a roar. Isn't the feeling of youth much stronger than this? I don't even know what to say, my testicles hurt so much that I can't speak. The movie was over, the lights came on, and I found that the girl on my right who was covering her face had left the scene early, which allowed me to see the girl on the right who had been wiping her tears. I am confused. Confused from beginning to end. This is this, this is this, this is this? When the girl sobbed and said "what a surprise", I felt that the essence of the world turned out to be nothingness. It's the emptiness that I've been sitting on the chair for two hours without doing anything, but I'm all weak. Do you know this feeling, it's like your stomach hurts so bad that you raised your hand cheeky and asked the teacher for leave for the first time in class. The whole class watched and rushed out of the classroom and ran down a long corridor and finally reached the men's bathroom. Open the door and go in, hurriedly taking off his pants and squatting down. Then nothing can be pulled out. It hurts. It's so fucking painful. I remembered that they told me that Makoto Shinkai is famous for depicting the delicate emotions of boys and girls. At this moment, I want to ask: Is it delicate or delicate? Why does Fan Gao fantasize about the goddess and goddess like a diaosi and really like him? Is he looking down on us for licking dogs or something. Even a sensual monster like me has no sense of substitution. Isn't this a problem with the script and the expression of the camera? I remembered what they said about Fangao's abandonment of the three views of the world is not a big problem. Indeed, this is a problem. In order to describe this love more otherworldly, Makoto Shinkai deliberately downplayed many other aspects of society and made the whole movie become extraordinarily shallow. But seriously, the bigger problem with this movie is that Makoto Shinkai's best handle on emotion has failed. I remembered the sound of the passing train of "Five Centimeters Per Second", and I saw the background motionless and the cherry blossoms slowly falling. I think of "Your Name" in which boys and girls use mobile phones to communicate with each other, meteors cross the sky, and they finally write their names with pens on the top of the mountain. And what about Weathering With You? Eight hundred rains in Child of the Weather are not as good as one snow in five seconds. Hodaka's roar is not as good as the bang of the train at the end of the second five. Emotional catharsis must be shouted out? Not necessarily, it can be forbearance, restraint, and it doesn't have to be expressed with a lot of sensationalism and shouting - I fucking love you so much. no. It shouldn't be like this. Maybe it's just me being impetuous. Who knows? Eight hundred rains in Child of the Weather are not as good as one snow in five seconds. Hodaka's roar is not as good as the bang of the train at the end of the second five. Emotional catharsis must be shouted out? Not necessarily, it can be forbearance, restraint, and it doesn't have to be expressed with a lot of sensationalism and shouting - I fucking love you so much. no. It shouldn't be like this. Maybe it's just me being impetuous. Who knows? Eight hundred rains in Child of the Weather are not as good as one snow in five seconds. Hodaka's roar is not as good as the bang of the train at the end of the second five. Emotional catharsis must be shouted out? Not necessarily, it can be forbearance, restraint, and it doesn't have to be expressed with a lot of sensationalism and shouting - I fucking love you so much. no. It shouldn't be like this. Maybe it's just me being impetuous. Who knows?
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