It's the only movie I've ever seen in terms of my viewing volume. I lack my praise for this. completely run out
If I were lucky enough to be involved in one film in my life: director; screenwriter; investment. . . . I wish it was a movie like this.
Today I focus on movies that show what happened at the same time in different places.
Now everyone is exploring how movies express time:
Bi Gan uses an electric fan train for a picnic by the roadside.
Jia Zhangke uses the most popular film frames of different eras to represent different eras.
Maybe we should take one step back, how do we represent what happened at the same time in different places?
None of us have a mature, standard typed solution to this problem.
Gosford Manor often tells two things in one mirror, the subtlety is:
- One is a sound film and the other is a silent film. Now 3D and 2D are arguing, and Chaplin has to defend silent films. He believes that film is the art of pure film and painting, and dialogue is a step backward.
- Two things at the same time. Things happen in multiple threads, we all shoot in sequence, and at most tell the audience at the same time.
The plans of the three liars in Love Saint were going on at the same time, but we shot them one after the other.
The final meeting is sublime, while shouting: "I'll show you what a trick!". But this shot is mediocre.
I have also seen a picture cut into two or three frames, and three different people in three different places carry out three threads at the same time.
This is still mediocre.
Three scammers in three different places and three schemes at the same time. Will they shout "I'll let you know what deception is" at the same time?
Almost impossible, although the film is an abstraction of life.
All three of them love money, but they have no spiritual communication.
What if there is a heart-to-heart connection, that is, a meeting at the same time? And it must be absolutely synchronized at the same time, minute and second, to have artistic conception? Like a lover.
Thinking of the beauty of the beauty and the look of the building, I made a few mistakes, and the sky knows the boat. Fighting to know me, leaning on the pole, I am condensed with sorrow!
This is already very graphic expression, but all I can think of is to cut a picture diagonally in half to express it.
First a close-up of a beautiful woman. sad. Get up, pull the camera, window, sail on the Yangtze River. The camera is back, and the beauty is in the mirror.
The male cuts in, half of the picture. It's like a beautiful woman looking at it. Leaning against the railing, thought.
I live at the head of the Yangtze River, and you live at the end of the Yangtze River. Thinking of you every day, but not seeing you, drinking the water of the Yangtze River together.
I thought about an animation style that also cuts two characters in one picture, one male and one female in two different places.
The animation shows the map, marking the location of the two people. Shuji made the two of them play together and play in the water together. Separated, both wet. All alone, dry.
How to represent backtracking in time?
Jun asked that the return date is not yet due, and the night rain in Bashan rose to the autumn pond.
Why should we cut candles in the west window together, but talk about Bashan when it rains at night.
How to express yearning for the future?
Who does the wonderful spring sunshine belong to?
belong to me, belong to you,
Belong to the new generation of our eighties!
In twenty years, we will meet again,
How beautiful the great motherland should be!
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