The world has been changed by us, Tokyo has been submerged, the world will start because of us
if
when you meet someone
You also have the same mood as now
no way to separate
when it appears
everything intertwined
This moment is more complete than the world
There is a voice you can hear
There is a view that you can see
There is a feeling that you don't want to let go
can't name
Because which moment is
is ta
It's the sun shining in between showers and showers
or your mood at the moment
guard
But not sure which one to guard
you forgot his name
You're an unhelpful adult
But let that person do what
you know you'll help him
Watching the movie was on November 1, the first day of its premiere in China. The beautiful girl I was with likes to say recently: "I am a passer-by with no feelings." It seems that she heard a very Xin Haicheng's words: I always feel that something has been lost. Ordinary experience, maybe, at the beginning, when I think of the lost, there will be a little sadness, but gradually, even such feelings can't be recalled. Will question whether they have those feelings, memories. In the sense they are not present, and this absence is the same, or more fundamental, than the absence in the world.
What do people remember about the 15- or 16-year-old witch who was sacrificed?
Why are the sacrifices always young?
The boy who is always owed the most
to ta
People have unpaid debts
Sacrifice is a murder of the debtor
After forgetting?
Are people mature?
I have never met a mature person .
They are still being born today
I mean people
They are constantly reborn
I said I've never met a mature man
Because I don't want to exclude anything from human nature
They are still born from an inhuman childhood
Teenage agony is a testimony
Witness the pain of being separated from the inhuman
there's always something lost
In the beginning people were not people
The inhumanity of children is the beginning of their becoming human
The pain we were born with for what they are
How much have we understood?
for this debt
How much have we paid back?
I heard some dissatisfaction from the audience
For experiencing a life without a story
They are especially looking forward to a full story from the movie
I heard that the motivated young people around are not satisfied
Because in a world where there is no way to go
They especially look forward to seeing the recovered value from a "good" work
I heard that some people are not satisfied with the animation of Shinkai Makoto
They say it's too ugly, a sentence that is obviously duplicitous
actually saying
"We are very dissatisfied even if we don't know why"
I also heard a lot of dissatisfaction
For example for logic
There should be no back story
If a girl can call for sunny days
So what scientific institution should she be held in?
For example, for adults
Adults are unhelpful people
Because you are refusing to grow up
For example for orientation
Let Tokyo be flooded with rain
Is it really good?
For example, to discover
"We Really Changed the World"
The end of a girl for a city?
Before watching the movie, I knew that many people were dissatisfied, and the criticism was much louder than "Your Name", but because it was Makoto Shinkai, I didn't have any concerns. My impression of "Your Name" is not just an excellent animated film, the impact it brings is far more serious. The whole of East Asia's co-prosperity for more than 100 years has not yet produced anything truly awesome. This is an empty signifier, and we don't know who we are at all. And it was at that moment that I saw the real work, the art-thought en train de se faire , which was paving its own way. Makoto Shinkai is a name-giver who gave us, who have no name and therefore no existence, a name. It is fortunate to be a contemporary of such a great man, and the road has only just been rolled out, and he will amaze us countless times.
Naturally, Weathering With You was as exciting as what I waited for without waiting, and even more surprising is that it will make people who hate Makoto Shinkai even more infuriated.
Maybe not everyone wants to be reminded of their debt
People are busy and have to interpolate themselves into a set of statements,
become a repeater that will be played
Maybe they really should be responsible for it
But the task facing the film is another
Construct a situation in which a person can utter a sentence that he is addicted to
Every sentence represents at least one universe, and some represent things that the universe cannot cover
I hope to live another 30 years. I want to see the sea submerge Tokyo and the NTV towers become islands. I want to see Manhattan become the underwater city...I'm excited about it all. Money and lust, all that will come crashing down, all that will be taken over by green weeds.
The person who said the above sentence is Hayao Miyazaki, not Makoto Shinkai who shows us Tokyo submerged in the movie.
Hayao Miyazaki, a master, he always knew where the world was going, he always knew what was right, what was going to be a just punishment for people, what was a lie; he was always clear where he was Showing children watching his animations is: "I'm lying (because I can't tell you...)."; he's always sure that his animations won't have any impact on the world. He always makes others admire his vision of looking at the world.
It was with Makoto Shinkai that we saw the submersion of Tokyo that we did not see with Miyazaki. The adults in the film tell their children that this is the way the world is, and Tokyo will be submerged. Jun will tell you that the world works like this and cannot be changed. Adults will tell you, but we can't decide what we're doing, we're just awake, but pretending to blindly head towards the end - like, they all know where the end is.
But Hodaka didn't understand that Tokyo was the city he chose to escape to at first. The city scared him. He also met Hina at McDonald's, got his first job at K&A, and rescued Hina in the red light district. , and a pair of sisters started a business called Sunny Day... He didn't expect what Tokyo would become in the future. For him, the crisis came suddenly because of the boy's change in the situation and the surrounding situation. He didn't choose to drown Tokyo, all he chose was to desperately want to bring Hina back.
In sunny Tokyo, there will never be that pair of boys and girls again. Tokyo is submerged, and Tokyo flooded by heavy rain is the loss of boys and girls. But it's not the green grass that takes over.
Until the final reunion, everyone told Hodaka that the submersion of Tokyo happened naturally, and for a time he no longer even understood what he had really changed and what had been changed.
The world has been changed by us
it was born with us
Therefore, it can also be said that we have been changed by the world
Tokyo is submerged
The world will start because of us
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