What is "return"?

Zackary 2022-03-20 09:02:17

Johnny Depp, my favorite actor, the only actor I love... Maybe I should call him an artist. Each of his works is so vividly enough to satisfy the actor's addiction, but you can imagine how many times he "died".

Since this film was not seen long ago, the memory is still deep. In fact, the film still promotes the purpose of Christianity. I don't think he would lose the charm of his existence if he didn't go back. If you will choose to obey in the end, then why not write a so-called work to promote the royal family according to the will of the king? Character determines fate. Such a change is worse than staying the same, and it comes with joy and force. I remember thinking of Shakespeare the day I read it, his N Richard N, Ben and him are completely different, but because of the so-called "return", they are no different.

That sentence, as a woman, I think is the truth. A man is not scary if he only sees a woman's body, but what is scary is that he sees her soul. Maybe, love, but so be it. Does the soul have to be holy and shining? It shouldn't be, everyone's soul is mixed with too many contradictions, too much black and white, just to see who knows it... Otherwise, why is it defined for us after we die?

As a "return", there is too much to say, it is better to leave it to ourselves, think about it, where should we go back... anytime.

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Extended Reading

The Libertine quotes

  • Rochester: You are one of life's understudies!

  • Harris: [calls to him onstage] My lord!

    Rochester: I asked for no interruption.

    Harris: My suit is one of the utmost urgency: the stage direction at the end of this scene requires, in my opinion, some authorial exposition.

    Rochester: It seems straightforward enough.

    Harris: Yes, um,

    [reading from the script]

    Harris: "Then dance six naked men and women, the men doing obedience to the women's cunts, kissing and touching them often, the women in like manner to the men's pricks, kissing and dandling their cods and then fall to fucking, after which the women sigh and the men look simple and so sneak off." The end of the second act.

    Rochester: A strong scene, an eminently playable scene, and though I say it myself, a climactic one.

    Harris: And w-will the kind of equipment that that young lady has in her hand

    [a large wooden dildo]

    Harris: be available for gentlemen for... strapping around the middle for the execution of this scene?

    Rochester: I had not envisioned you to be so encumbered; I feel this scene should be given... in the flesh.

    Harris: And will we give... two performances on the day?

    Rochester: No, Mr. Harris.

    Harris: [relieved] I am glad to hear that from the author.

    Rochester: With the dress rehearsal, the court performance and the public showing, I envisage three.

    Harris: Right; I don't know if you've met my regular understudy, Mr. Lightman, he's a most dependable fellow.

    Rochester: Sir, you have the honour of playing *my* understudy.

    Harris: [cross] Well, I shall take this opportunity to withdraw from the engagement.

    [he leaves]

    Rochester: [calls after him angrily] You are one of *life's* understudies!