Past obsessions, and injuries.

Shyanne 2022-03-20 09:01:45

Those who are not too smart and obsessed should be able to feel the same way... Those phantom pursuits, no one understands the meaning of them, and even oneself does not know why they have to pursue and prove it.

It is interesting to use Cowherd + pimps who are completely contrary to mainstream values. Why is he determined to be a cowherd, "confident" and "I'm good at it"? Why can't he just polish his shoes?

Is this an ideal or a dream bubble, or just "healing"?

...

God, I was wrong, I'm not a villain, even this "dream" is a bit dazzling, but it trapped me deeply and hurt myself.

Please allow me to take care of what I love, so that I can take care of myself. Compromise, give up, it doesn't matter anymore, just live your life down-to-earth.

"If it's too late..."

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The director is really amazing. He stayed in the misery of the dead end for so long, but he kept the story from being emotional and created so many small joys to make the plot come alive. The whole film is full of sadness like a huge wave, but the process is neither boring nor procrastinating. (Let me cry a little longer)

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Extended Reading
  • Jane 2022-04-24 07:01:06

    The dreams and memories that kept attacking him were driving him away from the west, haunting him, and terrifying him. I felt warm in being with him. humble life. Dreams and parties are the highlights of the movie.

  • Jevon 2022-03-27 09:01:06

    SIFF* Studios giant screen. 4.5/5, America is really the kingdom of the media, from TV to signboards, from advertisements to icons, the vision of the future is constantly being produced, as if promising a new life at will, but when money is placed at the core of people's relationships, new There is boundless indifference and calculation behind it, which makes the story of the same world fall into people, very vivid and critical (the bottom is squeezed), and when Hoffman hugs Joe who is wiping his sweat, this gloomy, bizarre , The tragedy of PTSD, had the tenderest moment. What I think of are graduates and taxis, self-confessions to the mirror, the soundtrack is constantly cut from day to night, flashbacks of memory/imagination, the superposition of different cameras at the party, the images seem to create their own rhythm, including from back to back, from curtain to door Powerful clip for X windows. In the end, Buck found bucks, and Ratso created himself, and for a moment, I thought the sound of silence was about to sound. PS Just watched Bresson's pickpocket, and saw the re-enactment of the pickpocket in this one.

Midnight Cowboy quotes

  • Shirley: Why a cowboy whore? Did you know we were gonna make it?

    Ratso Rizzo: So, you really wanna do business?

    Shirley: Who is he?

    [Joe Laughs]

    Shirley: Don't tell me you two are a couple.

    [Joe and Rizzo laugh]

    Shirley: Hey. Why are you laughing, Joe? Are you really a cowboy?

    Joe Buck: Well, I'll tell you the truth now. I ain't a for-real cowboy, but I am one hell of a stud!

    Ratso Rizzo: A very expensive stud and I happen to be his manager.

    Shirley: How much is this gonna cost me?

    Ratso Rizzo: Twenty bucks.

    Shirley: Okay.

    Ratso Rizzo: And taxi fare for me.

    Shirley: Oh, get lost, will ya?

    Ratso Rizzo: I agree, but for that service I charge one buck taxi fare. Okay?

    Shirley: Yeah, okay, okay, okay.

  • Party Girl: What's the matter? How did you get crippled?

    Ratso Rizzo: I slipped on a banana peel.