Among the most frequently played games in the wine game, there is one who loves to kill. Pick three of the opposite sex at random, and let you choose who to love, who to fuck, and who to kill.
The deadliest one in my impression is that Guo Degang, Guo Da, Guo Donglin, love to kill?
The general options don't fly like this, they all choose male friends, male colleagues, male bosses, and the like.
It's easy to choose the one who wants to fuck, the one with the most pleasing skin and body. It's not difficult to kill anyone, who offends others, who makes mistakes in work, who keeps me working overtime, who smokes in the office, who does small tricks behind the scenes... At this time, you can use games and alcohol to get rid of your grievances.
Only love is the passive answer after excluding the first two items. It was you who was left behind? Love you then.
Sexual desire, and hatred that wants to kill each other, are both single-component and extremely pure, strong emotions that people cannot ignore and can be identified at the first time.
If you can perceive it, you can satisfy it. If you can satisfy it, you can control it. If you can control it, you can destroy it and not be burdened by it.
But not love.
The emotion itself is complex and lags. By the time you found out that this was love, you would have fallen into the pit long ago.
Loving the right person is rare. It is sad to love the wrong person. Mixed love and hate, go round and round, ugly.
Love is so hard.
That's how I felt after watching "Deadly Woman". Or just fuck and kill.
The best stories from the 1960s. When the love fades a little bit and only hate remains, a clean killing will allow the bad guys to be punished and the good guys to be happy.
The stories of the 1980s are the most tender, understanding and empathy can make hatred retreat and leave love behind.
One is cool and the other is healing, so the online evaluation of these two stories is relatively high.
The 2019 story, although I am very uncomfortable, but thinking about it carefully, those selfishness, cowardice, evasion, and choice to forgive in the protagonists that I cannot accept are precisely the shortcomings that I am unwilling to admit.
In a very unpleasant way, it tries to explain the difficulty and complexity of love, so that the audience can understand that love is neither healing nor fun, it is simply unbearable.
Because I love you, even if there is dissatisfaction, I will not say it, just go to bed with a girl to relieve my pressure.
Because I love you, it doesn't matter if you want to kick me off because you are making money now, but I hope you get rid of drugs and live a good life.
Because I love you, it doesn't matter if you sleep with my buddy. It was my buddy who was wrong. I stabbed her to death, and the two of us lived a good life.
So ugly.
Some people criticize that Taylor, as a strong female lawyer, works so well, how can she be so mentally retarded in her love life?
People who have not been beaten by emotions will not understand, and it can only be said that there are not a few such people.
Elite female consultants will forgive their scumbag boyfriends who have cheated more than a dozen times.
A mother with two children is reluctant to divorce even if she is divided into several suites and a large amount of cash, and even chooses to forgive her husband for cheating on all her best friends.
A small internet celebrity who is engaged to a celebrity boyfriend turns a blind eye to his cheating behavior.
...
Sometimes it's not a multiple-choice question in front of you. Because you love this person, you simply cannot make rational judgments.
So the most unacceptable stories are the truest stories.
It's just that I hope that I can be strong enough to fight against my emotions and never fall into the predicament of love-minded little girls again.
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