The shot of my daughter drawing a heart on the machine window is my favorite part of the film. The next episode suddenly turned around. The six-year-old daughter disappeared and no one saw it on the plane. Further evidence showed that there was no girl's boarding record at all. There was even evidence that the girl had died long ago. Is everything just a mother's imagination? Is she really crazy? At this point in the development of the film, suspense seems to have become dominant again.
At this point in the movie, it can be regarded as catching people. However, the end of the story is too weak. The screenwriter had the ambition to construct such a story, but was unable to make it round, and his successor was obviously weak. Looking back after knowing the end, I always feel that the preparation is not enough, and some details have a sense of mystery, which is the same as chewing wax, and even some of the movie-watching pleasure accumulated in the first half of the movie is gone.
Even the most important suspense part of the whole movie has many flaws. In a confined space, hundreds of people of various colors have a lot of room to play. The original intention of the screenwriter should also be to reflect more subtle things: the panic, loneliness and horror of three people; the suspicion that the public sees dissidents. And doubt, but dig far enough. Even the various reactions of passengers at the end of the film, the small details deliberately added, make people feel blunt.
A movie seems to be divided into three parts, the initial horror, the suspense in the middle, and the final action duel. The explanation at the beginning is too long. In my opinion, there are many places that have nothing to do with the story. They are just to create an atmosphere, and it is botched and deliberately misleading; the middle part is a good part of the whole film, but it is just a suspenseful atmosphere. No matter how well it was built, it was just a blown up balloon, without a reasonable and unexpected explanation, and all of this went to naught with a "bang". The ending is back to Hollywood's inherent model, and it feels rather hasty. The three styles were twisted together roughly.
After talking about the film, talk about the actors. Judy is undoubtedly the biggest appeal of this film. Looking at the poster, you will know that the blurred cabin is used as the background, and nothing else is needed. Only Judy's name and the face that occupies most of the poster is enough. And her performance is basically satisfactory, can hit between seven and eighty points. What we should do and what we should do is done. Anxious, confused, loving, and determined, the image of a strong mother is still portrayed very three-dimensionally. Judy's first close-up shot showed fine lines on the corners of his eyes and chin, as well as loose skin. I couldn't help sighing that time was merciless, but the last part of his virtuosity still made me admire, after all, it was a 44-year-old woman. The opponent's villain was extremely weak compared to the ground, and my friends and I couldn't help laughing at the end.
The actor who also likes the little daughter very much. Although there are not many plays, he is very competent, and he is not shy with Judy opponents, not to mention that he is so cute and beautiful. The captain's actor looked familiar, and later remembered that it was the opposite of "National Wealth". It's okay, but the script doesn't give much room to play.
This movie is not recommended. Judy's fans can watch it, but it won't be too regrettable if you don't watch it.
View more about Flightplan reviews
