Primitive Logic Presentation in Westerns

Francesca 2022-03-20 09:01:45

"Sunset and Sand", a classic western with a mix of heroism and racism. The film places the characters in the vast and open world, sand, rocks and rivers. The main conflict relationship is reflected in the confrontation and revenge of the two races. The male (tough guy) masculinity, bloody, facial and body muscle contours form a unique tension. As if returning to the original state, the order of human civilization, that is, the law and culture, is extremely diluted, and the problem is measured by inner standards and solved by force. In the western cowboy story, the gun is a deadly weapon, but the film does not render the fighting scene, more, it is the image of the cowboy running on horseback. The only fight is detailed: Martin and Charlie hand-to-hand. There are two scenes in the film that are very similar before and after. One is that Martin is first pushed from the chair; later, Loli is pushed down in the same scene, reflecting the passage of time. There is also a first-to-end response, which is a quiet scene in the cabin. At the end, Debbie returns home safely, but it is reminiscent of her family being killed. The primitive nomadic way of life presented by the westerns resembles a Chinese minority, while the spiritual core of the film is closer to martial arts. There are great differences between Eastern and Western cultures. Western architecture is Gothic (depth), Eastern architecture adopts Siheyuan (tiling); Western music adopts symphony (chords), and Eastern classical music is mainly solo (melodious); Western languages Like to use subordinate clauses (levels), Oriental languages ​​like to lay out (juxtaposition). The same is true in movies. Western movies are accustomed to a relatively single logic to promote the in-depth development of the plot; Eastern movies often have intertwined character relationships and clues.

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Extended Reading
  • Rigoberto 2022-04-23 07:02:04

    "The wind blows the yellow dust and thousands of miles of sand, and the two rides to find relatives and go to the end of the world. Race and family feud and road, where is the tenderness of the iron man." A magnificent western oil painting, a history of blood and tears of racial enmity.

  • Coby 2022-03-27 09:01:06

    081014 is my favorite of the Double John films. The 5-year time span gives the characters rich and three-dimensional inner space. Wayne's characters are not pure heroes, but a combination of a racist, a heroic cowboy, and a stubborn and tough old man. Cool characters should be plump.

The Searchers quotes

  • Martin: [speaking to Debbie for the first time in five years] Debbie, Debbie, Debbie, don't you remember? I'm Martin, I'm Martin, your brother, remember? Debbie, remember back.

    Martin: [pause] Do you remember how I used to let you ride my horse? And tell you stories? Oh, don't you remember me, Debbie?

    Debbie Edwards: I remember, from always. At first I prayed to you: "Come and get me, take me home." You didn't come.

    Martin: But I've come now, Debbie.

    Debbie Edwards: These are my people. Go. Go, Martin, please!

  • Laurie Jorgensen: [Martin is preparing to join a raid against the Indians and rescue Debbie] You're not goin', not this time.

    Martin: Are you crazy?

    Laurie Jorgensen: It's too late. She's a woman grown now.

    Martin: But I gotta go, Laurie, I gotta fetch her home.

    Laurie Jorgensen: Fetch what home? The leavings of a Comanche buck, sold time and again to the highest bidder, with savage brats of her own?

    Martin: Laurie, shut your mouth.

    Laurie Jorgensen: Do you know what Ethan will do if he has a chance? He'll put a bullet in her brain.

    [pause]

    Laurie Jorgensen: I tell you, Martha would want him to.

    Martin: Only if I'm dead.