The tags of the movie are as follows: suspense, horror, ethics, plot. If you close your eyes, you can imagine that this type of film has a collage-like plot advancement, bloody and violent scenes, and sometimes depressing and sometimes climaxing soundtracks. Of course, there are none in this movie. There is only a story in this film, so simple that there are only two scenes and four actors in the whole film (the play of two actors does not exceed 10 minutes in total). I was locked in an apartment for 18 days, and the filming was over.
There is a saying that Hollywood ruined the art of film—in the beginning, film was still an art, and the masses cast their eyes on the film workers with the eyes of Picasso and Chopin. After the industrial revolution began, everything that could be commoditized was commoditized again, and the Mona Lisa also came out of the printing press one by one, framed and framed, bringing significant profits to the merchants.
Movies have also begun to become a profitable business, everything is like an assembly line-some people do professional market research to see what the audience likes to pay for movies; there is a special department to write scripts, or simply outsource; drama, lighting, The set sets their respective duties; the sales are a bit more difficult, so I ask grandpa to tell grandma for sponsorship for a broken script, and even take the following breasts: "You shampoo, okay, give you a 3 second shot"; the actors also have to download Kungfu, two or three big wrists, the others just care about whether they love 50 a day or not, "What, do you want to have lines? Or, come to my room to study and study tonight?"
Once it is a system, It is difficult to play outside the rules, just like bad money drives out good money in the market. Therefore, the protagonist's car in the car chase scene can always escape smoothly. The chasing car either crashes or breaks down; the quarrel between men and women will inevitably be interrupted by a slap in the face. After a short silence, the man will hug her and kiss her, and then all the problems will be solved (tmd) This trick is useless!!! I swear!!) But in any case, this system is like a money machine in Hollywood. Not what I said, the data is there.
"Fruit Hard Candy" restores the movie to its original function. It didn't dim the light, and suddenly threw a blood-stained head to the audience in the middle, but rounded the story. How to edit, how to advance the plot, how to grasp the rhythm, the requirements of sound effects, the measurement of various details. The focus of everything lies in the confrontation between the male and female protagonists, the dramatic tension that erupts in a small space, the contradictions of human nature, and the conflict of views.
At this point, I’m thinking that the future of movies will probably develop like this:
do everything to bomb the audience’s senses, the scene is magnificent, the more magnificent, and the special effects are awesome. Time to ponder the content, and to watch a movie is not just a fun-Avatar, I'm not talking about you.
Do everything to bomb the audience’s IQ, today’s philosophy, tomorrow’s ethics, add a little psychoanalysis, can’t wait for the audience to rack their brains and even begin to doubt life-Inception, I’m not saying that of
course you will certainly survive in the cracks between the above two types. So, a simple and interesting movie that makes your heart hot or clever, and then tears up or shoots on the table to tell a good story.
By the way, I recommend an
American movie that seriously filmed confrontation between men and women in a small space. I can remember Polanski’s "Immoral Trial" in 1994 and the best
such movie, adapted from a novel by Stephen King. "The Shining" directed by Kubrick
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