Cherry - Cherry, ruddy and lovely on the outside, dark and hard-core on the inside. In fact, it grows like that, but what gives it meaning is what kind of heart people have.
"The whole house is full of your stink, and I'm familiar with it."
First look at a few words from three women:
"I'm glad you came, but please don't embarrass me."
"Wait until I get there."
"You made me bleed."
"We're a lot alike, and I knew we would be alike."
"I haven't defeated the demon at all."
"You've been eaten alive by life."
"Let's get out of here."
Besides, I've watched it twice in a row.
Fengkou Town, just after 9:00 a.m., is full of decadence after being exposed to sunlight all year round. A middle-aged bearded man with a pot belly sat in front of the store doing nothing, while the girls whizzed past on pulleys, giving out possibly youthful laughter.
Apart from the title, the first flashback starts at 11 minutes of the main film, the cart full of detergent, dripping viscous blood, the face of a thin girl in the mirror, suddenly appeared expressionless, as if strangling the audience throat, the whole body tense. It is said that the recurring scenes in dreams must represent something, and this and what in the whole play is exactly the nightmare flowing in the red and black blood of the heroine Camille.
Because the town is surrounded by layers of secrets, no matter how dense the sunlight is, it can only reflect dazzling and low pressure. Like the old fans that are frequently connected in series in the lens, fast or slow, they can only revolve around the central axis squeaking non-stop, anthropomorphic wanting to blow away all the rotten past, even if it is stirred up a little. good.
No one thought that it was just a simple interview task that brought Camille back to this "former residence". Her mother's sentence "I never loved you" was intertwined with the heavy rain, and her already precarious heart flew out in an instant. Outside the Body, the show's first and only metaphysical fusion with the Kansas Kid. But a smile said, "Are you self-harming?" Camille immediately recognized that this person was not of my race. On the surface, she seems to be alcoholic, carve, and disobedient to the eyes of the world. In fact, when someone is actually "reading" her, all the guards have been broken. All were breached.
Of course, it is centered on the protagonist. Above, her mother Odora, a female second or third female with "surrogate Munchausen syndrome" (MBP). She was seeing Camille's first truth, not "Welcome back" or "Come in", but a slightly suspicious look "What happened?" and the sentence at the beginning of this article: "I'm very happy I'm here, but please don't embarrass me."
I don't feel close, even if it's my own eldest daughter, but I don't feel close. In her own words, it was because Camille was like her and never listened to her care. As a prominent figure in the town, she is controlling, expressive, selfish and vigilant, all covered in a mansion with hand-painted wallpaper and precious ivory, taking good care of the little girls in the town, and the title of the organizer of Calhoun Festival, these glittering The glowing exterior wraps around. In order to constantly maintain her own image, she reflects what is "noble" and "elegant" in front of others. When choosing a dress for Camille, she did not forget to mention the biological father of the heroine to elevate her own value and highlight the lack of People and her can match. At the funeral of the second daughter, and when the eldest daughter came back to make her angry, the extreme anger and the natural manners that she was told not to show were all concentrated on the point of pulling her eyelashes.
"Don't tell Mommy." Think about how Emma said that a few times in the eight-episode miniseries. As the third female or actually the second female, she was calm when she saw Camille next to the grove for the first time, and then explained calmly when she was confronted. .
She took the initiative to lead Camille to visit the dollhouse, and then held the door and said with a mixture of show and disdain, "I am also an unrepentant person, but she (mother) doesn't know it." Throughout the entire eight episodes, you are constantly approaching Camille, aren't you afraid that she will find out the truth? Yes, she is not afraid at all, because it is precisely because of Camille's nostalgia for her second sister, her hatred of her mother and the family, her own self-injury and Emma's volatile attitude towards her that she knows this "big sister" is the best opponent who can help her cover. And through constant mistakes - apologizing - standing in line, he has been trying to win over Camille's will, and finally let her offer to take him out and live with her.
These results were definitely not directly spoken or decided by her, but all the initiators behind them were this seemingly sick and rebellious perverted girl. "She is like a snake, which can be blended into any occasion and slip away quietly." I forgot that this was how the author described the girl when she was flipping through a comment.
When I rewatched it for the second time, I kept thinking, "What's wrong with this town?"
The ambiguous flow of the old sheriff and Odora, the warning and disdain of the Kansas police detective;
The unspeakable secret hidden under Jackie's cape and pajamas;
Ashley has been questioning whether she can appear in the report;
John clearly knew that he was not the one who killed himself, but he only revealed his sincerity to Camille for a short time;
There are also all kinds of little people that I didn't notice at first glance, the nurse in the hospital, the owner of the barber shop, the last two members of the three-girl team, the heroine's stepfather, the victim's father, and so on.
They all have one thing in common: they have something to say, but they cannot speak.
Because to use Jackie's last words to Camille: "Because of the whole town, no one will believe it."
The whole Fengkou Town is like on the way, with welcome slogans all the way and various signs that are colored but faded. In the name of these beautifications, they cover up and sacrifice the depth of field with the most intense color overlay in human nature. There are many details that allow the audience to explore on their own, and there are many branch lines, which are the main theme after all. For example, I saw in a film review, the scene in the fitting room.
Why did Camille come out? She obviously could not come out and waited for others to deliver the clothes, but why did she rush out like an explosion? Did the audience want her to come out, or did she actually want to "come out" herself?
Another example is the electric fan that appeared repeatedly in the dream. The most classic scene is that the second sister turned her head in front of the fan. The green electric fan was in the mother's ivory room. These flashbacks or scenes in the dream are what hurts Camille the most. and the most indescribable place.
There is also the broken screen mobile phone of the heroine listening to songs that appeared in the first episode, the door that was pushed open together with the second sister in the dream when they were young, and the barren and overgrown courtyard that the two sneaked home through. Refraction of the heart.
"Trash, From old money."
The Chinese translation is also very interesting.
Camille was a thorn in her mother's life because she was "disobedient" and would stab people to bleed like a thorny rose.
And Camille needs to use such "thorns" to stimulate himself to escape from the tuyere town where the fans can't blow at any time.
Why didn't the second sister go to the police, not because she said "I want to be a good child for my mother", but because she needed her mother to cover her, and she just wanted to experience the pleasure of sharp objects to mutilate the flesh.
What is a "sharp weapon"?
Just sharp, wrist-splitting objects.
or gossip that hurts others,
There are also those who do not want to bring pain to others, and would rather use something that stabs themselves to remind those who keep their distance from it all.
A broken and decent heart.
In one episode, the Whitebeard boss called Camille "to pursue the victory and write more revelations."
And she leaned on the railing of the corridor, looked at everything outside and said: "It's more like the 'Decline of the South', and it's about to be filled with the 'Federal Stars and Stripes'." How ironic.
"I don't have a social account, because everything can be consumed." In the interview report after the film, the heroine said such a sentence.
Then it's really easy to understand how she portrayed this character so well.
This is a film with a heart but no love, because it is not worthy to talk about "love" at all, and that is also hypocritical.
"I just feel so desperate for this fake world."
"Let's get out of here."
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