As a thriller drama, this movie has always used the elements of American personal heroism. The characters who want to help the protagonist in the play are also killed by a huge alligator at the moment of discovering the protagonist. .
In the film, when the father and daughter overcame many difficulties and finally got out of the house and boarded the boat, they thought they could be saved, but the flood that burst the embankment flooded the house again. The father and daughter were trapped in this house and also in this house. rescued. At this time, the house is not only an objective existence, but an abstract existence. When you want to escape from a place, reality will push you towards that place, but when you try to accept this place slowly, you will find that this place is already waiting to leave your life, quietly.
The details in the film are very different from the previous ones, with the director's unique personal touch. In the film, the heroine's public car has a small sculpture of a person bitten by a crocodile on the upper body. In the past, someone may be bitten by a crocodile on the upper body and die in the second half of the film, but the heroine is saving it. His own father was bitten by a crocodile in the leg. This is completely different from the previous film detail metaphors.
As a film that fully implements the principle of "three in one", this film is relatively successful in the arrangement of scenes and plots, but it may be somewhat lacking in character creation. Although it is a film with strong personal heroism, the heroine's leading care is too strong, so that the audience unconsciously compares the characters, thus ignoring the storyline of the film.
In short, I think the protagonist's makeup in this film is relatively long-lasting. After all, after soaking in water for so long, the blood on the heroine's forehead still exists.
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